A Quote by Aleister Crowley
The average man cannot believe that an artist may be as serious and highminded an observer of life as the professed man of science.
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The determination of the average man is not merely a matter of speculative curiosity; it may be of the most important service to the science of man and the social system. It ought necessarily to precede every other inquiry into social physics, since it is, as it were, the basis. The average man, indeed, is in a nation what the centre of gravity is in a body; it is by having that central point in view that we arrive at the apprehension of all the phenomena of equilibrium and motion.
Knowledge above the average can be crammed into the average man, but it remains dead, and in the last analysis sterile knowledge. The result is a man who may be a living dictionary but nevertheless falls down miserably in all special situations and decisive moments in life.
Although this may seem a paradox, all exact science is dominated by the idea of approximation. When a man tells you that he knows the exact truth about anything, you are safe in inferring that he is an inexact man. Every careful measurement in science is always given with the probable error ... every observer admits that he is likely wrong, and knows about how much wrong he is likely to be.
Any man who can write a page of living prose adds something to our life, and the man who can, as I can, is surely the last to resent someone who can do it even better. An artist cannot deny art, nor would he want to. A lover cannot deny love.
Zen's greatest contribution is to give you an alternative to the serious man. The serious man has made the world, the serious man has made all the religions. He has created all the philosophies, all the cultures, all the moralities; everything that exists around you is a creation of the serious man. Zen has dropped out of the serious world. It has created a world of its own which is very playful, full of laughter, where even great masters behave like children.
Every science touches art at some points—every art has its scientific side; the worst man of science is he who is never an artist, and the worst artist is he who is never a man of science.
It is possible that a wise and good man may be prevailed on to game; but it is impossi?ble that a professed gamester should be a wise and good man.
The so-called godly man may be more likely to do serious wrong than a man who deeply questions himself. The 'godly man' often zealously follows religious precepts that, in the end, justify an unjust injury to others, while the questioning man, addressing his own conscience, may have the better chance to consider all the circumstances and come to the just decision.
One cannot deny that in former times man's life had been one of toil and hardship. It is correct to say, therefore, that modern civilization and the progress of science have greatly improved man's life and have brought comfort and ease in their trail.
A man is a critic when he cannot be an artist, in the same way that a man becomes an informer when he cannot be a soldier.
genius is original, unique; and in whatever form it may develop itself is the greatest gift that can be given to man, the strongest known link between the material life we have and the spiritual life that we can only guess at. Every great poet, painter, or musician - every inventor or man of science, every fine actor or orator, comes to us as the exponent of something diviner than we know. We cannot understand it, but we feel it, and acknowledge it.
Now the basic impulse behind existentialism is optimistic, very much like the impulse behind all science. Existentialism is romanticism, and romanticism is the feeling that man is not the mere he has always taken himself for. Romanticism began as a tremendous surge of optimism about the stature of man. Its aim - like that of science - was to raise man above the muddled feelings and impulses of his everyday humanity, and to make him a god-like observer of human existence.
Of course my moods change, but the average is serenity. I have a firm faith in art, a firm confidence in its being a powerful stream which carries a man to a harbor, though he himself must do his bit too; at all events, I think it such a great blessing when a man has found his work that I cannot count myself among the unfortunate. I mean, I may be in certain relatively great difficulties, and there may be gloomy days in my life, but I shouldn't like to be counted among the unfortunate, nor would it be correct if I were.
The Man of Genius may at the same time be, indeed is commonly, an Artist, but the two are not to be confounded. The Man of Genius,referred to mankind, is an originator, an inspired or demonic man, who produces a perfect work in obedience to laws yet unexplored. The artist is he who detects and applies the law from observation of the works of Genius, whether of man or nature. The Artisan is he who merely applies the rules which others have detected. There has been no man of pure Genius, as there has been none wholly destitute of Genius.
I may not be the man I want to be; I may not be the man I ought to be; I may not be the man I could be; I may not be the man I truly can be; but praise God, I'm not the man I once was
I believe that man was created to enjoy himself, indeed, that he can claim it as his legitimate right. In fact, as long as he lives, man cannot help enjoying himself, even if he tries not... . Today the average person, when he hears the word pleasure, immediately thinks of something immoral. But nothing could be more wrong.
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