A Quote by Aleister Crowley
Imagine listening to Beethoven with the prepossession that C is a good note and F a bad one; yet this is exactly the stand point from which all uninitiates contemplate the universe. Obviously, they miss the music.
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I'm a good Canadian girl. I miss all that good stuff. I miss tobogganing and I miss snowboarding, but I've also learned to surf and I've become a water baby which I used to be relatively terrified of the water and I kayak all the time now and I'm able to run year round on the beach which you can't obviously do in Canada.
As Miss Universe, you have to be confident in who you are. Miss Universe has to overcome her fears and teach others to do the same. And nothing is ever too much to ask for. That is exactly who I am.
You can put down a bad book; you can avoid listening to bad music; but you cannot miss the ugly tower block opposite your house.
I don't believe in good music and bad music anymore. I'm through with that phase of my life. Sometimes I just wanna feel good, so I put on a good record. But mostly I'm more of a businessman than a music fan, so I'm listening to music in terms of, is this effective or not effective?
I prepared myself for Miss Universe for a very long time, for years, and I would always try to imagine what it would be like to introduce myself as Pia Wurtzbach, Miss Universe.
You may be sitting in a room reading this book. Imagine one note struck upon the piano. Immediately that one note is enough to change the atmosphere of the room - proving that the sound element in music is a powerful and mysterious agent, which it would be foolish to deride or belittle.
The point of recapitulation in the first movement of Beethoven's Ninth Symphony unleashes one of the most horrifyingly violent episodes in the history of music....The point is not to hold up Beethoven as exceptionally monstrous. The Ninth Symphony is probably our most compelling articulation in music of the contradictory impulses that have organized patriarchal culture since the Enlightenment. Moreover, within the parameters of his own musical compositions, he may be heard as enacting a critique of narrative obligations that is...devestating.
I have really diverse tastes, which can be problematic sometimes, but it's good because it means I'm always listening to as much music as possible. I love listening to music, whatever genre it is.
The only thing that interests me in music is to be able to reach into the, let's call it, 'collective unconscious' of what is noblest in the human spirit, the way you find in the music of Mozart and Beethoven and Verdi that wonderful quality that not a note can be changed.
Let man then contemplate nature in full and lofty majesty, and turn his eyes away from the mean objects which surround him. Let him look at the dazzling light hung aloft as an eternal lamp to lighten the universe; let him behold the earth, a mere dot compared with the vast circuit which that orb describes, and stand amazed to find that the vast circuit itself is but a very fine point compared with the orbit traced by the starts as they roll their course on high.
I named this place Listening Point because only when one comes to listen, only when one is aware and still, can things be seen and heard. Everyone has a listening point somewhere. It does not have to be in the north or close to the wilderness, but someplace of quiet where the universe can be contemplated with awe.
I'm too busy playing. When I'm playing I don't pay attention to who's listening. When I was listening I listened to symphony orchestras, Beethoven, Bach, Brahms, Stravinsky. You don't listen to one instrument; you listen to music.
Classical music fulfills for me the function of narrative. I spend 90 minutes a day listening to symphonic music - Beethoven to Bartók - some chamber pieces, and that's my enrichment.
The way you hold the bow, the way that violinists are trained to produce a note, is really different. I'm not an expert in classical music. I don't want to say something that ends up in print and somebody comes running after me with a shovel, but they're taught for each note to stand alone in a very deliberate kind of way, which is really different than how notes are strung together in old-time music to create rhythm.
I grew up on Bach and Beethoven, and now I'm listening to more modern composers who I can't even name. But since I'm constantly doing music, it's difficult to have that quality time to listen to music and do classical stuff.
Beethoven for listening; Liszt, Chopin, and Beethoven for playing as well as Bach and Prokofiev and so on. If I kept going, this list would spiral. It's as wide as literature; in fact, it is probably wider.
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