A Quote by Alejandro Jodorowsky

I hated Peter O'Toole. I wanted to kill that guy! When they said he was dead, I was happy. People said, 'Poor Peter O'Toole.' I was happy! — © Alejandro Jodorowsky
I hated Peter O'Toole. I wanted to kill that guy! When they said he was dead, I was happy. People said, 'Poor Peter O'Toole.' I was happy!
I changed my major to English and I went off to Fort Collins. And within the first couple of weeks, I noticed that they were having auditions for a production in their theater department. They were going to stage Jean Anouilh's Becket, which was a film I loved, with Peter O'Toole and Richard Burton. So I went down and auditioned, and I got the role. I got the Peter O'Toole part. So here I was, a 19-year-old playing King Henry.
I think if ever I met Peter O'Toole, I'd faint.
With Peter O'Toole, you just had nothing but fun.
I have Peter O'Toole's autograph on a first-edition copy of his autobiography that I acquired under false pretenses.
Peter,” Ashley asked softly, “Do you know what that was?” “Of course,” Peter said, much affronted. “A thimble.” “No,” said Ashley, staring, “That was a kiss.” “Didn’t it strike you as a little different from other thimbles you’ve had in the past?” Peter looked shifty. “Well, yes.” “Ha!” “It was my first thimble with tongue.” Peter told her with dignity.
Peter O'Toole - I really loved that man. They sent me into the desert, and I lived there with him for 100 days. And there were no women! Can you believe it?
If he (Peter O'Toole) had been any prettier it would have been Florence of Arabia.
'Venus,' which is a Roger Michell film - my first scene was with Peter O'Toole, and I cried. That was basically my part. I came in, cried in a white wig, and then left.
I met Peter O'Toole for the first time at Dad's memorial service because my Dad didn't hang around with people like that when we were around. We didn't grow up with Richard Burton coming around to tea.
I never met Peter O'Toole, but he one was of those rare actors whose success was defined by a single role. His incandescent performance in David Lean's 'Lawrence of Arabia' is one that nobody who saw it will ever forget.
My agent at the time, Mike Medavoy, before he became a movie mogul, called me up and said, how about a movie with you and Peter Boyle and Marty Feldman? And I said, well, what makes you think of that? He said because I now handle you and Peter Marty.
I remember my first review in London said I was the next Peter Brook. I said: 'No way. I'm not Peter Brook. I don't have the maturity, the experience, the intelligence. Don't burden me.'
And I had known Peter O'Toole before in London. And I'd liked him very much. And the thought of being in a picture with him was very challenging to me. And he was playing the starring role.
When I talked to him earlier, he said he had to work tonight,” Peter explained, “but that we should go ahead and draw for him.” “Draw?” I asked uneasily. “Oh Lord. Tell me it’s not Pictionary night too.” Peter sighed wearily. “Draw for secret Santas. Do you even read the e-mails I send?” “Secret Santas? Seems like we just did that,” I said. “Yeah, a year ago,” said Peter. “Just like we do very Christmas.
I saw Waiting for Godot when I was 17 in rep with a then unknown actor called Peter O'Toole playing Vladimir. I remember leaving the theatre promising myself that one day I would have a go at this play and then pretty much forgot it for 50 years.
For me as a Welsh actor, Richard Burton is one of my biggest idols. And I've got so many: Peter O'Toole, Laurence Olivier and Oliver Reed. If they got 'Hunky Dory' and 'Citadel' offered to them, they would do completely different jobs on both of them.
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