A Quote by Alejandro Jodorowsky

For many years, I did pantomime with Marcel Marceau. I was a writer for him and got to know very well how to use the body for illustration. I wanted to do a mother without arms, but using the arms of her son in Santa Sangre. The tragedy should always have something funny. Something weird.
I once picked up a woman from a garbage dump and she was burning with fever; she was in her last days and her only lament was: My son did this to me. I begged her: You must forgive your son. In a moment of madness, when he was not himself, he did a thing he regrets. Be a mother to him, forgive him. It took me a long time to make her say: I forgive my son. Just before she died in my arms, she was able to say that with a real forgiveness. She was not concerned that she was dying. The breaking of the heart was that her son did not want her. This is something you and I can understand.
Just be funny. Funny always goes over well, so try to think of something funny to break the ice rather than being weird or using pickup lines.
My arms and chest were always the hardest for me. I obsessed over my arms for 32 years! I did everything to bring them up: for 2 years, I did mini arm workouts every night before bed!
Militias, when properly formed, are in fact the people themselves and include all men capable of bearing arms. [...] To preserve liberty it is essential that the whole body of the people always possess arms and be taught alike, especially when young, how to use them.
As a matter of fact she does not know to this day if those words were spoken, or if he only caught her, wound his arms around her, held her so tightly, with such continual, changing pressures that it seemed more than two arms were needed, that she was surrounded by him, his body strong and light, demanding and renouncing all at once, as if he was telling her she was wrong to give up on him, everything was possible, but then again that she was not wrong, he meant to stam himself on her and go.
Sometimes we adopt certain beliefs when we're children and use them automatically when we become adults, without ever checking them out against reality. This brings to mind the story of the woman who always cut off the end of the turkey when she put it in the oven. Her daughter asked her why, and her mother responded, "I don't know. My mother always did it." Then she went and asked her mother, who said, "I don't know. My mother always did it." The she went and asked her grandmother, who said, "The oven wasn't big enough."
Many years ago... many, many years ago, I brought up a boy, and I said to him, 'Son, if you ever become a writer, try to write a good part for your old man sometime.' Well, by cracky, that's what he did!
That's not the point," he said. "What kind of creep would I be if I let my girl carry something heavy while I walked along, swinging my arms?" Your girl? "The kind that respects my wishes," she said. "And my strength, and my... arms." Levi grinned some more. Because he wasn't taking her seriously. "I have a lot of respect for your arms. I like how they're attached to the rest of you.
She don't know how much I need her She don't know I'd fall apart Without her kiss without her touch Without her faithful lovin' arms
'Santa Sangre' is the picture I love the best, myself, because 'El Topo' and 'The Holy Mountain' I made with my head, and 'Santa Sangre' I made with my feelings, with my heart. It's an emotional picture. And it's more real for me, that picture.
Santa Sangre is the picture I love the best, myself, because El Topo and The Holy Mountain I made with my head, and Santa Sangre I made with my feelings, with my heart. It's an emotional picture. And it's more real for me, that picture.
Annabeth's face, her blond hair and gray eyes, the way she laughed, threw her arms around him, and gave him a kiss whenever he did something stupid. She must have kissed me a lot, Percy thought.
There is warmth shooting through my broken body where there should be pain, and I put my arms around the back of his neck and I hold on to him. I hold on because you never know in this place when something good will be taken away.
Mrs. Loontwill did what any well-prepared mother would do upon finding her unmarried daughter in the arms of a gentleman werewolf: she had very decorous, and extremely loud, hysterics.
He’d spent his life being a perfect gentleman. He’d never been a flirt. He’d never been a rogue. He hated being the center of attention, but by God, he wanted to be the center of her attention. He wanted to do the wrong thing, the bad thing. He wanted to pull her into his arms and carry her to her bed. He wanted to peel every last inch of her clothing from her body, and then he wanted to worship her. He wanted to show her all the things he wasn’t sure he knew how to say.
Can I be blamed for wanting a real body, to put my arms around? Without it I too am disembodied. I can listen to my own heartbeat against the bedsprings...but there’s something dead about it, something deserted.
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