A Quote by Aleksa Palladino

Your crew becomes your family and you trust the director and the other actors on the set, and it's a very safe place. — © Aleksa Palladino
Your crew becomes your family and you trust the director and the other actors on the set, and it's a very safe place.
I think trust is the most important thing. If the actors and the director and the crew trust each other and you set up perimeters and boundaries, you give everyone space to do great work.
I have my set rigged with the biggest sound system possible and have a mini jack for my iPod attached to my director's chair. I find playing music is a very direct way to communicate with actors and the crew, especially those crew members who are on the periphery of the set. I like dancing on set too, it's a good way to release tension.
To go into more specifics regarding actors, whether they're from Korea or the U.S., all actors know if they are loved by the director. When they feel that love from the director, they respond by giving a great performance on camera. Also, everyone on set - the crew, the actors - they were aware of the film's message and its broad theme, so these big issues were never discussed on set.
If you fill your time as a director talking about lights and technique with the crew then it's frightening for the actors to be left alone. Somebody has to keep them safe from the mess that is the machinery.
On a movie set that works, you have your father figure, the director, you have your siblings, your other actors.
Your actors need to trust you as a director, but normally, I think you just need to have an open communication between the actors and the director. I think the director needs to really paint his or her vision to the cast and let them know the kind of mood that he or she is making. I think that's very important.
Your director is your main support - actors don't generally give each other advice on set, not in my experience.
You know, making an animated movie is such a lonesome thing. You mostly don't see your fellow actors or anything. You go into your booth, you record all your dialogue. It's very much an issue of trust. You leave it all up to the director.
In a rehearsal room, your real resource as an actor aren't the things around you; your resources are your imagination and your director and the other actors. In those close quarters, your imagination and your skills are what you turn to.
Family - it's all about family. Families feeling safe and finding your safe place.
You do actor's job for intense scenes like this - you dream about them - and you get scared until the day it finally happens. But when you feel safe with your partners, the crew, and your director who all did a wonderful job, you get into the zone quickly.
Making a film is so hard that if you don't have your main actors going along with the ride with the rest of the crew it can make your life very difficult.
You get a script and you love it. You find a director that you trust, and it becomes all about how do I commit to this as fully as possible? And the last thing you can afford to have in your mind is what are other people going to think of this?
The confidence and faith of the heart alone make both God and an idol. If your faith and trust be right, then is your god also true; and, on the other hand, if your trust be false and wrong, then you have not the true God; for these two belong together faith and God. That now, I say, upon which you set your heart and put your trust is properly your god.
In the old days when I first was coming up, you would turn up on set in the morning with your coffee, script, and hangover and you would figure out what you were going to do with the day and how you were going to play the scenes. You would rehearse and then invite the crew in to watch the actors go through the scenes. The actors would go away to makeup and costume and the director and the DP would work out how they were going to cover what the actors had just done.
You've got to have confidence and trust in your cast. You have to have confidence and trust in your director, in your editor. It's such a team effort; I really think you have to pull yourself out of it and just trust. I think the number one thing you can do is just trust everyone around you.
This site uses cookies to ensure you get the best experience. More info...
Got it!