A Quote by Aleksandar Hemon
I like to blur the line between fact and fiction, but not to condescend to the reader by enmeshing her/him into some sort of a postmodern coop.
Related Quotes
I understand that postmodern literature probably means people like DeLillo, The Fiction Collective, but I don't get it that those writers are really influenced by postmodern theorists.
I've always thought the word cow was funny. And cows are sort of tragic figures. Cows blur the line between tragedy and humor.
I like to blur the line between remix and cover version and new song.
We must remember that there is a great difference between a myth and a miracle. A myth is the idealization of a fact. A miracle is the counterfeit of a fact. There is the same difference between a myth and a miracle that there is between fiction and falsehood -- between poetry and perjury. Miracles belong to the far past and the far future. The little line of sand, called the present, between the seas, belongs to common sense to the natural.
My own disposition is to trust the reader. Of course, there's a line between trusting the reader and expecting her to read your mind. That's where a friend or an editor comes in. A great editor will tell you straight when you've drifted into the latter territory.
If the reader prefers, this book may be regarded as fiction. But there is always the chance that such a book of fiction may throw some light on what has been written as fact.
What 'True Blood' does really well is that it balances on the line between good and evil - you blur the distinction between the two.
What True Blood does really well is that it balances on the line between good and evil - you blur the distinction between the two.
I wish what I do was all real. Some of it's real, some of it's an illusion and I try to blur the line between both, but unfortunately I've got to be honest with you. Taking a $1 bill and turning it into a $100 - unfortunately it's not real.
I am very interested in that fine line between fiction and reality and between comedy and tragedy - and pushing the line as much as possible.
The supreme accomplishment is to blur the line between work and play.
Piper leaned toward [Jason], her caramel braid falling over her shoulder. Her multicolored eyes made it hard for him to think straight. “And where is this place?” she asked. “A . . . uh, a town called Split.” “Split.” She smelled really good—like blooming honeysuckle. “Um, yeah.” Jason wondered if Piper was working some sort of Aphrodite magic on him—like maybe every time he mentioned Reyna’s name, she would befuddle him so much he couldn’t think about anything but Piper. He supposed it wasn’t the worst sort of revenge.
The frontiers are not east or west, north or south; but wherever a man fronts a fact, though that fact be a neighbor, there is anunsettled wilderness between him and Canada, between him and the setting sun, or, farther still, between him and it. Let him build himself a log house with the bark on where he is, fronting IT, and wage there an Old French war for seven or seventy years, with Indians and Rangers, or whatever else may come between him and the reality, and save his scalp if he can.
I'm drawn to fiction that hints at nonfiction, that blurs or seems to blur the boundaries between invention and autobiography.
Kids are growing up and they don't know the difference between fact and fiction. The line is getting blurry. I can handle it, you know; I'm a big boy. And the entertainment industry has always been crazy. But the problem is, it spills over into some very serious issues, in politics and real newsworthy stuff.
There are very real differences between science fiction and realistic fiction, between horror and fantasy, between romance and mystery. Differences in writing them, in reading them, in criticizing them. Vive les différences! They're what gives each genre its singular flavor and savor, its particular interest for the reader - and the writer.
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