A Quote by Aleksandar Hemon
A particular piece of music attaches itself to the piece I'm writing, and there is nothing else I can listen to. Every day I return to the same space to write, the music providing both the walls and the pictures on the walls.
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There's music every day. I don't think I could write without it. Not that I listen while I'm writing. It's more hearing a piece of music that I want to somehow convert into prose, as a creative inspiration.
I have a huge music library and deliberately choose the piece of music to match the piece I'm writing. So, every book I write has its own "soundtrack."
If you're writing a piece for the Boston Pops, the balance is towards one end. If you're writing a piece for a chamber music society, then it's towards another point. I won't make a final answer on that. I think it changes with every piece.
I wasn't writing the music. Ed would write a piece of music. I'd listen to it and come up with a melody and then we would arrange it. We'd put it together and I would write lyrics to my melodies.
The secret to writing is just to write. Write every day. Never stop writing. Write on every surface you see; write on people on the street. When the cops come to arrest you, write on the cops. Write on the police car. Write on the judge. I'm in jail forever now, and the prison cell walls are completely covered with my writing, and I keep writing on the writing I wrote. That's my method.
When the movie's done, you talk about either the score or source music over a particular scene, what might work. You just throw a piece of music over the scene, and we both listen to it.
We can understand each other with music without words - and that's so important in these times when walls are built. In music, there are no walls.
Arriving at a simple piece of music is a very difficult balance because, in being simple, you could easily be banal, so maybe it's more difficult to write a simple piece of music than a 12-tone piece where no one understands exactly what it is about.
I'm kind of lucky in the fact that I can take something that's in my head and write it down, or I can listen to a piece of music that somebody else has written and try to tap into what the music's saying and just kind of follow that, you know. I mean, nine times out of 10, I'm just kind of following where the music takes me.
Music actually inspires me a lot. I listen to a lot of music, and often I find that if I can associate mentally a song or a piece of music with a particular character or scene, it helps me get back into the head of that character.
I always listen to music when I write! I basically make a playlist for every essay; sometimes it's just one song, or three songs, over and over and over. I sort of find the emotional pitch of the piece, and then match music to it, and then the music becomes a shortcut to the feeling, so I can enter it and work anywhere: on planes, cafes, at work, the train.
For me, music is my art and what I have dedicated my life to. For fashion designers, clothing is art. Just as much as a piece of music that I might write is a piece of art. Being able to merge the two industries on stage or at an event is really fun.
Whether you listen to a piece of music, or a poem, or look at a picture or a jug, or a piece of sculpture, what matters about it is not what it has in common with others of its kind, but what is singularly its own.
I like to write a piece of music that reflects how I felt about a film as opposed to, here's this action scene; here's this set piece.
Music is completely not reality. There's nothing about music that has any meaning at all. A lot of people disagree with that, but it's basically true. You can listen to a piece of music, and fifteen people will give you fifteen answers of what it's about.
I play piano, so when I'm learning a new or difficult piece, at some point I have to enjoy the music of the piece itself, and have confidence that my fingers know where to go. It's the same with acting, there is a point where I have to enjoy the play.
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