A Quote by Aleksandar Hemon

Literature is always something - it is either story or poetry, ideally both. That is, you always know what it is and even if the interpretation is not available, the experience of language is.
Literature offers us all, writers and readers, the best method of discovering and retelling the changing story of ourselves. The story is both journey and surprise. And as everyone knows, even the past is altered, depending on, not the facts, but the interpretation.
I wanted to become a writer and felt that poetry was perfected language, so having it in my subconscious mind would make the music of language always available to me.
Language is so inherent to humanity, so necessary for even basic thinking, that stories and poetry are available to anyone who can process language.
Poetry is always in transformation. There are certain aspects of contemporary Italian poetry that are very preoccupied with politics and deconstruction and they don't deeply interest me. But that's the case in most cultures. We have our own Language Poetry, which doesn't interest me either.
I'm never happier when writing than when I see gags taking shape - ideally, gags at my own expense. What I like is the shuttling back and forth, serious into comedy and vice-versa, ideally, both in the same sentence, or even simultaneously. The best jokes are always ideas in miniature.
Astronauts working for the government will always need to be either pilots or mission specialists. Those who want to be pilots should have military experience - ideally, a test pilot background.
I'm not really quiet or shy. Ask any of my friends! But I always ground my poetry in life itself. Poetry is an art of language, though, so I am always aware of every word's meaning, or multiple meanings.
Literature can no longer be either Mimesis or Mathesis but merely Semiosis, the adventure of what is impossible to language, in a word: Text (it is wrong to say that the notion of 'text' repeats the notion of 'literature': literature represents a finite world, the text figures the infinite of language).
We do literature a real disservice if we reduce it to knowledge or to use, to a problem to be solved. If literature solves problems, it does so by its own inexhaustibility, and by its ultimate refusal to be applied or used, even for moral good. This refusal, indeed, is literature's most moral act. At a time when meanings are manifold, disparate, and always changing, the rich possibility of interpretation--the happy resistance of the text to ever be fully known and mastered--is one of the most exhilarating products of human culture.
Writing has always been an interest of mine, and 'The Language of Flowers' combined my experience with foster care with something I've always wanted to do.
I have definitely been curious and involved in the process; even as a young actor. I was always looking at where the camera was, what story it was telling. And as my experience grew, I wanted to know even more.
I love poetry. It's at the heart of everything I do. Poetry transforms what we call language, and uses language as the stuff to become something else. I get spun around by what happens in words. When that occurs, it inspires images that seem so original to me as an artist, even though I'm following what the poem has offered.
I suppose I have a really loose interpretation of 'work', because I think that just being alive is so much work at something you don't always want to do. The machinery is always going. Even when you sleep.
I suppose I have a really loose interpretation of 'work,' because I think that just being alive is so much work at something you don't always want to do. The machinery is always going. Even when you sleep.
Poetry transcends the nation-state. Poetry transcends government. It brings the traditional concept of power to its knees. I have always believed poetry to be an eternal conversation in which the ancient poets remain contemporary, a conversation inviting us into other languages and cultures even as poetry transcends language and culture, returning us again and again to primal rhythms and sounds.
The best work in literature is always done by those who do not depend on it for their daily bread and the highest form of literature, Poetry, brings no wealth to the singer.
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