A Quote by Aleksandar Hemon
For a fight to be productive, or at least relevant, writers should fight over different demands they put upon writing (as an individual, private act) and literature (a network of relations in which we are all involved).
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The great thing about rock n' roll is, if you want to fight - like, fight the system, fight the man, fight the government, fight the people in front of you - it's Don Quixote all over again. You're really chasing windmills.
Fight, fight, fight and more fight. If you have that burning desire in you, if you're just one of those guys that does not like losing and you fight and you fight and you fight, that's what makes you a good wrestler.
Men should continue to fight, but they should fight for things worth while, not for imaginary geographical lines, racial prejudices and private greed draped in the color's of patriotism.
I'm involved in fight of the year nearly every time I fight because I put it all on the line. I don't look to keep out of the way and nick a decision.
Every film, every fight choreographer, wants to have a different flair, have a different fight technique. So any film I've done that involved weapons has always been fascinating because everyone is different.
When people are in a workplace where it's possible to organize and engage in labor actions, that's how they fight, and it can be very effective. When people are not in that situation, they fight in other ways. They fight in the marketplace. One need only notice that there's been a meaningful shift in where people are over the last thirty, or fifty years from traditional productive industries toward a kind of work that involves circulation of capital and products, and toward unemployment. People who are in that situation are unlikely to fight somewhere else.
Obviously I love writing with Katy [Pery], I feel like we're the same person when we write together. Even though we fight a lot, we fight over every line and we pull each other's hair and we cat-fight all the time, it's always worth it in the end.
In a marriage, every fight is the same fight, over and over again, in different forms.
I train like a dog and I eat and fight like a lion and if Kell Brook thinks he's got what it takes, put his money up, tell his people to come over here, jump on a private jet... I'll even let him train in my gym, so we can make a fight in my hometown.
To fight is a radical instinct; if men have nothing else to fight over they will fight over words, fancies, or women, or they will fight because they dislike each other's looks, or because they have met walking in opposite directions.
Welcome to Fight Club. The first rule of Fight Club is: you do not talk about Fight Club. The second rule of Fight Club is: you DO NOT talk about Fight Club! Third rule of Fight Club: if someone yells “stop!”, goes limp, or taps out, the fight is over. Fourth rule: only two guys to a fight. Fifth rule: one fight at a time, fellas. Sixth rule: the fights are bare knuckle. No shirt, no shoes, no weapons. Seventh rule: fights will go on as long as they have to. And the eighth and final rule: if this is your first time at Fight Club, you have to fight.
Architecture is the constant fight between man and nature, the fight to overwhelm nature, to possess it. The first act of architecture is to put a stone on the ground. That act transforms a condition of nature into a condition of culture; it's a holy act.
You know that when you fight a guy like Georges, there are going to be a lot of demands on your time and you just have to be able to find a way to deal with it. The most important thing is, I can't let my obligations to promote the fight interfere with my obligation to get ready to fight.
I believe that any individual who has spiritually awakened in our time, to the degree that he or she finds a higher and deeper motive for living, is going to be driven to fight the good fight in one way or another... And in order to fight the good fight, we have to engage, we have to get into the ring, not just stand outside it and be philosophers.
If this life is not a real fight, in which something is eternally gained for the universe by success, it is no better than a game of private theatricals from which one may withdraw at will. But it feels like a real fight.
I had written in another draft a completely different kind of fight, but they said they couldn't afford to shoot it. They needed a fight scene, though, so I was told to put a fight scene in, but not the one I had written.
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