A Quote by Aleksandar Hemon
We, as writers, have to figure out a way to create a consciousness in language. It's crazy even to attempt to do that.
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Writers are completely out of touch with reality. Writers are crazy [people]. We create conflict - for a living. We do this all the time, sometimes on a weekly basis, we create horrible, incredible circumstances and then figure a way out of them. That's what we do.
Writers are completely out of touch with reality. Writers are a crazy person. We create conflict - for a living. We do this all the time, sometimes on a weekly basis; we create horrible, incredible circumstances and then figure a way out of them. That's what we do.
Consciousness is the ground of all being; everything is consciousness. Beyond that, definition is impossible because any way we may attempt to define it would limit consciousness.
In this day and age, when there are so many people creating work online and writing their own shows, I wouldn't tell another actor, 'If you can do anything else go do that.' I would tell them to figure out the story they want to tell, to figure out what artists inspire you and why, and then figure out a way you can create that for yourself.
We need to figure out a way to create more energy on a gigawatt scale and not create so much CO2 in the process.
Language is as old as consciousness, language is practical, real consciousness that exists for other men as well, and only therefore does it also exist for me; language, like consciousness, only arises from the need, the necessity, of intercourse with other men.
One can study what exists and how consciousness functions; but one cannot analyze (or “prove”) existence as such, or consciousness as such. These are irreducible primaries. (An attempt to “prove” them is self-contradict ory: it is an attempt to “prove” existence by means of nonexistence, and consciousness by means of unconsciousness .)
[Nixon] reduced the meaning of his life to nothing but power. In the film, we gave this sad figure consciousness of what he was. We weren't right to do that - I don't think he did have that consciousness. But we did it for movie reasons - to create empathy.
Language comes first. It's not that language grows out of consciousness, if you haven't got language, you can't be conscious.
One way to think about what psychedelics are is as catalysts for language development. They literally force the evolution of language. You cannot evolve faster than your language because the language defines the culture of meaning. So if there's a way to accelerate the evolution of language then this is real consciousness expansion and it's a permanent thing. The great legacies of the 60's are in attitudes and language. It boils down to doing your own thing, feeling the vibe, ego-trip, blowing your mind.
Also, they don't understand - writing is language. The use of language. The language to create image, the language to create drama. It requires a skill of learning how to use language.
Language is in the way. Music's in the way. Songs are in the way. Stuff's in the way. That's just our state here. And to acknowledge that we're broken and to even ... create tradition that helps us embrace that, and to understand that, I think is a very healthy, good thing.
We live in a world filled with language. Language imparts identity, meaning, and perspective to our human community. Writers are either polluters or part of the clean-up team. Just as the language of power and greed has the potential to destroy us, the language of reason and empathy has the power to save us. Writers can inspire a kinder, fairer, more beautiful world, or invite selfishness, stereotyping, and violence. Writers can unite people or divide them.
The only reality we can ever truly know is that of our perceptions, our own consciousness, while that consciousness, and thus our entire reality, is made of nothing but signs and symbols. Nothing but language. Even God requires language before conceiving the Universe. See Genesis: “In the beginning was the Word.
But here's the deal: If I were smart, I could figure out curling. If I were even smarter, I could figure out why people would actually watch other people doing it. I have tried. I can't. I can't even figure out the object of the game. Is it like darts? I just don't get it.
The way we learn to write is the way we learn to talk: We listen to others and start mimicking speech, and that's how we come to become speakers. Writers you admire, you admire the way they plot, you admire the way they create a character, you admire the way they put a sentence together, those are the writers you should be reading.
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