A Quote by Aleksandar Hemon

Every artist, writers included, have an ethics and an aesthetics, whether they can formulate them or not. I happen to think that it is good to be able to formulate - it is good to know what you are doing and to be able to talk about it.
Without constantly pushing my senior colleagues to formulate decisions, I would never be able to learn and know what they are made of.
So it's not really whether you talk about politics, but how well were you able to do it. Peter Gabriel and Sting get away with it...U2...the examples are there, of people being able to carry these subjects in the music, and the audience is absolutely able to embrace subjects that aren't just the stuff they already know about. And they're actually able to learn stuff.
An author, whether good or bad, or between both, is an animal whom every body is privileged to attack: for though all are not able to write books, all conceive themselves able to judge them.
We should be able to have a conversation about immigration; we should be able to have a conversation about what skills we want to have in the U.K. and whether we need to go out of the U.K. in order to get them to boost our economy, and I don't think we should have a situation where we can't talk about it.
I would throw out the sense of nation, "good breeding," certain forms and ceremonies that govern relationships - perhaps even jealousy. We're not aware of all of them yet, though we suffer from them. And they mislead us not only about ethics but also about aesthetics.
I think it's good that we're not embarrassed that we're comic book creators anymore. It's good that people are able to make a good living at doing it, and not doing the traditional sort of mainstream fare.
There's so many things running through your mind. If you can formulate a game plan that works for you and allows you to block outside distractions and get to what matters, that's how the talent is able to come out.
There may be women to emerge who will be able to formulate a new and possible concept that homosexual persecution and condemnation has at its roots not only social ignorance, but a philosophically active anti-feminist dogma.
My mum supported me after she saw I was doing good in weightlifting, I was able to get a scholarship, I was able to help them.
In terms of being able to renew my nation, to be able to be able to bring back a devastated country, to restore hope to our people, to lift women and to give them a new horizon, a new ambition and new dreams, in respect of all of that, I think we've accomplished it, and I feel very good about that.
There is this thing called the university, and everybody goes there now. And there are these things called teachers who make students read this book with good ideas or that book with good ideas until that's where we get our ideas. We don't think them; we read them in books. I like Utopian talk, speculation about what our planet should be, anger about what our planet is. I think writers are the most important members of society, not just potentially but actually. Good writers must have and stand by their own ideas.
We have enslaved the rest of the animal creation, and have treated our distant cousins in fur and feathers so badly that beyond doubt, if they were able to formulate a religion, they would depict the Devil in human form.
One of the qualities essential to writing exciting stories, whether for page or screen, is an ability to abandon one's morality. We simply cannot be good writers and good people. One must be able to access one's darkest self, one's venality and pettiness and murderousness.
There are companies that are good at improving what they're already doing. There are companies that are good at extending what they're doing. And finally there are companies that are good at innovation. Every large company has to be able to do all three - improve, extend, and innovate - simultaneously.
It took me a good eight to ten years to really formulate what I was doing onstage and start to get really personal with comedy. I always really had timing naturally, it was just about trying to figure out how that timing was going to work onstage.
Don't talk to me about aesthetics or tradition. Talk to me about what sells and what's good right now. And what the American people like is to think the underdog still has a chance.
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