A Quote by Aleksandar Hemon
Europe is a rapidly changing place, on every level. Immigration, post-communist transitions, the unification, steady presence of war and conflict, the inescapable challenges to the notion of national literature/culture-it all exerts pressure upon writers who must be aware of the transformational possibilities of the situation.
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Even before Europe was united in an economic level or was conceived at the level of economic interests and trade, it was culture that united all the countries of Europe. The arts, literature, music are the connecting link of Europe.
We must dare to think 'unthinkable' thoughts. We must learn to explore all the options and possibilities that confront us in a complex and rapidly changing world.
Every writer owes something to a particular tradition he/she grew up in. But no serious writer - other than the militantly nationalist ones - would reduce his/her domain of influence to a single tradition. Furthermore, historical breaks are so common and large in Europe that there are ruptures in every tradition which then connect the same generations across national borders. Younger Eastern European writers, for instance, have more in common with other writers of the same age in Europe, than with the previous, communist-era generations in their own countries.
To be under pressure is inescapable. Pressure takes place through all the world; war, siege, the worries of state. We all know men who grumble under these pressures and complain. They are cowards. They lack splendour. But there is another sort of man who is under the same pressure but does not complain, for it is the friction which polishes him. It is the pressure which refines and makes him noble
At times, the reader of World War II literature must think every American, from general to G.I., kept a war diary, later mined for memoirs of the conflict. Few diaries, however, were published in their own right.
It seems strangely difficult for some to realize that here in Asia is where the Communist conspirators have elected to make their play for global conquest, and that we have joined the issue thus raised on the battlefield; that here we fight Europe's war with arms while the diplomats there still fight it with words; that if we lose the war to communism in Asia the fall of Europe is inevitable, win it and Europe most probably would avoid war and yet preserve freedom. As you pointed out, we must win. There is no substitute for victory.
A good many of my poems over the years have alluded to or taken on the political. Stevens has a line in one of his essays: "Reality exerts pressure on the imagination." Inevitably what is omnipresent in the culture exerts its pressure on our imaginations to respond to it, even if indirectly. But in this case the backdrop of 9/11, coincident with the breakup of a marriage, the finding of new love, some kind of personal cataclysm... all of those were forces informing the poems in some way.
Our nation must manage significant national security challenges over the next several years. We are already facing a potential conflict with Iraq, new challenges on the Korean peninsula, and key decisions in the president's plans to transform the military.
The Federated Republic of Europe-the United States of Europe-that is what must be. National autonomy no longer suffices. Economic evolution demands the abolition of national frontiers. If Europe is to remain split into national groups, then Imperialism will recommence its work. Only a Federated Republic of Europe can give peace to the world.
Important as economic unification is for the recovery of Germany and of Europe, the German people must recognize that the basic cause of their suffering and distress is the war which the Nazi dictatorship brought upon the world.
Russia is a place of great culture. If you've read Tolstoy's "War and Peace", Dostoyevsky, Pushkin, Chekhov...the culture of the great Russian literature is amazing. The human narrative you get out of "War and Peace" is universal.
We have a sufficient political class, and the military doesn't have to get involved in high national office. The days of doing that, post-Civil War and post-World War II, are gone.
The destination of the soul: this is what I, led on by Nils Holgersson, came to seek in the literature of Western Europe. I fervently hope that my pursuit, as a Japanese, of literature and culture will, in some small measure, repay Western Europe for the light it has shed upon the human condition.
The world is rapidly changing - and with it, we face new global challenges.
The predominance of moral factors in all military decisions. On them constantly turns the issue of war and battle. In the history of war they form the more constant factors, changing only in degree, whereas the physical factors are different in almost every war and every military situation.
Armed violence and peace cannot coexist. We need to overcome the challenges we face and seek practical solutions. We must replace the culture of war with the culture of peace.
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