A Quote by Aleksandra Mir

The plane as an object has been a huge effort to make. It is a sculpture, a technological invention, a piece of aviation culture. But really, it only exists to be inserted into a variety of landscapes, to be a catalyst, to offset them.
I try to look at the films as I make them from a distance, in a way. I think of them as kind of pop culture artefacts. I'll often make posters and tag lines as I'm working on them, and not just conceive of them as a story I'm going to tell, but as a whole, a piece - a whole object that exists in the pop culture realm.
I love the idea of engaging the object, whether it be architecture or a piece of good graphic design, or a good painting, or piece of sculpture, or even a piece of industrial manufactured object. A piece of engineering can be quite beautiful, too, or a photomicrograph, or a cosmic photograph. We're physical beings and why deny that. So in that sense, it's very sensual to have an object that has the power to communicate some emotion or a state or give you some sense.
There's a huge piece of humanity that's missing - a huge piece - and our [American] culture is infant, comparatively speaking, to these folks who have been around for thousands of years.
If you reduce sculpture to the flat plane of the photograph, you're passing on only a residue of your concerns... You're not only reducing the sculpture to a different scale for the purposes of consumption, but you're denying the real content of the work.
The ideals of technological culture remain underdeveloped and therefore outside of popular culture and the practical ideals of democracy. This is also why society as a whole has no control over technological developments. And this is one of the gravest threats to democracy in the near future. It is, then, imperative to develop a democratic technological culture.
All art should have a certain mystery and should make demands on the spectator. Giving a sculpture or a drawing too explicit a title takes away part of that mystery so that the spectator moves on to the next object, making no effort to ponder the meaning of what he has just seen. Everyone thinks that he or she looks but they don't really, you know.
The first object of the painter is to make a flat plane appear as a body in relief and projecting from that plane
Statistically, 2012 was the safest year to travel on a plane, in the history of aviation. Not one major passenger plane crashed. It's pretty amazing. And when you see them being taken apart and you see the work that goes into keeping those things in the air, you think, "Wow!"
Technology has always been a catalyst for change, such as the invention of the airplane or the Internet.
One of the things that I really value about Russian culture is that on the private level it allows for a huge amount of variety and individuality with regards to family structure.
I look at every piece of furniture and every object as an individual sculpture.
The truth is that every fanbase has its 'toxic' side, and that's because every fanbase has a huge variety of ages, a huge variety of opinions, and a huge variety of maturities.
If Beethoven had been killed in a plane crash at the age of 22, it would have changed the history of music and of aviation.
Not a single piece of material culture - not a single object - has been found at Giza that can be interpreted to come from a lost civilization.
The greatest wisdom is to make the enjoyment of the present the supreme object of life; because that is the only reality, all else being merely the play of thought. On the other hand, such a course might just as well be called the greatest folly: for that which in the next moment exists no more, and vanishes utterly, like a dream, can never be worth a serious effort.
I really don't have a theme when I start a sculpture. The rock guides me to the final sculpture. I think that is true for many creative sculpture artists.
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