A Quote by Aleksey Igudesman

Our first show, A Little Nightmare Music, encompasses a lot of zany humor with beautiful classical music. — © Aleksey Igudesman
Our first show, A Little Nightmare Music, encompasses a lot of zany humor with beautiful classical music.
Our first show, 'A Little Nightmare Music,' encompasses a lot of zany humor with beautiful classical music.
Obviously there are pieces of classical music that are some of the most beautiful music ever written, for me anyway is a lot of classical or contemporary music, so it's a different kind of space that you enter when you're listening to it.
I got a classical piano training when I was little, and we also had music study lessons where we'd have to listen to a lot of classical music.
The world of classical music is so fascinating. It's a world that encompasses people from everywhere and erases the basic restraints of nationality; everyone is united by this common language of music.
There is no essential difference between classical and popular music. Music is music. I want to communicate with the listener who finds Indian classical music remote.
I wouldn't know anything about opera music if it wasn't for Bugs Bunny. That was my entire introduction to opera music. I wouldn't know anything about classical music if it wasn't for "Fantasia." They didn't have to do that stuff. They chose to base this ridiculous, funny, intriguing, creative story on this beautiful classical music. It's the combination of the high and the low that I thought was very cool. But I had no concept of it as a kid.
My training in music has been very eclectic - as first a flute player from classical chamber music to jazz, Greek, Brazilian and African music to contemporary concert music.
When I listen to music today, it is about 99 percent classical. I rarely even listen to folk music, the music of my own specialty, because folk music is to me more limited than classical music.
We have to go and show these people what classical music is. We say sometimes that classical music has a small audience, but it's because people don't have the chance to be closer to it.
For instance, our music, They Might Be Giants, has this element of humor, which is probably the most uptight part of what we include in our music, because we're in part very self-conscious guys, and we want our music to stand up to the test of time, not just be visceral comedy records. We love humor and comedy, but there's this aspect to it that runs counter to what is included in most music.
I do not think classical music faces any threat because new music is being made through computer, as the real charm of classical is its purity, and one who is seeking purity will surely find classical music in spite of so many alternatives.
Classical music only really came into my life in 1969. I wish I had heard classical music and church music when I was a teenager or even as a child.
We do a lot of light classical programming with that, too... obviously... a lot of Tchaikovsky music, Grieg, things like that which have become less classical with classical concerts.
Basically my influences have been American influences. It's been blues, gospel, swing era music, bebop music, Broadway show music, classical music.
My musical roots and inspiration lie not in rock n' roll or metal music, but first and foremost in classical music, balalaika, and in underground house music.
I can think and play stuff in classical music that possibly violinists who didn't have access to other types of music could never do. It means I'm more flexible within classical music, to be a servant to the composer.
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