A Quote by Alesha Dixon

Even though it's called Music Of Black Origin, it's not just music for black people. Music is for everybody. I think it's good that black music is acknowledged, and it's open for lots of artists, including white artists who have been inspired by black musical heritage.
White artists have made millions of dollars off music they stole from black artists. I don't blame all the white artists. I'm a huge Stevie Ray Vaughn fan, and he was always very gracious about where he learned his music. But a lot of the time, you'd think the white guys thought it up. Hey, hasn't anyone heard of Muddy Waters?
In terms of black music - the only music that we can call our own, that was really born here - I don't think a lot has been done to chronicle the relations between American history and where black music fits in.
There are a good number of people creating black metal and black metal inspired music in the northwest. Much of this music is radically noncommercial and exists only on a very local, private level.
Jazz is a white term to define black people. My music is black classical music.
I want to remind people that black music is amazing. And there are all forms of it that we've forgotten, you know? Rock music is black music! Don't forget that's what it is.
I'm admitting that I don't know that to be true, but it does sound pretty good. So a big part of my childhood was affecting black culture and black accents and black music and anything black I was into.
Bob Marley performed the 'One Love Peace' concert in Jamaica with the two different warring political sides. There's always been that in black music and culture in general. It's no surprise because black music is such a reflection of what's going on in black life. It's not unusual for hip-hop.
Blacks own so little of the music business, it's pathetic. But I see that changing soon. Black artists, black businessmen and women will unite.
Black people's music is in a class by itself and always has been. There's nothing like it. The reason for that is because it was not tampered with by white people. It was not on the media. It was not anywhere except where black people were. And it is one of the art forms in which black people decided what is good in it. Nobody told them. What surfaced and what floated to the top, were the giants and the best.
Soul was the music made by and for black people. For most of the Sixties it was thoroughly divorced from white popular music, but by the end of the decade several artists with their roots firmly in both soul and R&B traditions had crossed over.
I think that if you hear music young, whatever music you hear influences you. I'm white, but I've been influenced by black music.
Everybody likes music. And rock 'n' roll - that was the music that brought white youth and black youth together for the first time in American music history.
I don't do black music. I don't do white music. I do fight music, unified in Christ music.
I joke to people in the press that I realize I'm not black, I'm actually white. But I've got these roots in black American music. I love it.
I know a lot of people who enjoy rap music who aren't black. You can't just say it's black music. To segregate films the way Hollywood likes to segregate films, ultimately everyone loses.
I think everybody don't know what color I am. It's like, "He's not black enough. He's not white enough. He's got a Latin last name but he doesn't have - he doesn't speak Spanish. Who are we selling this to? Are you making urban music? Are you making pop music? What kind of music are you making?"
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