A Quote by Alesha Dixon
I have different methods. Sometimes I just like to immerse myself in music; that's a really good way to switch off from the world. I also like to listen to Eckhart Tolle, a very wise, very spiritual man, who teaches us how to live in the present.
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When I'm not doing readings, I just spend a lot of time alone and try to meditate. Going for walks in nature is also really good for me. It's a way to center myself without having people around, because my ability is less of an on-off switch. It's more like a radio volume dial, so I always have background music in my head.
At home I have a mixing desk that I like playing around on. It's great fun making music myself. And music has always been a very good counterbalance to football for me. It allows me to switch off and relax.
I think I've owned all the models of iPods so far. And these days between my iPod, iPhone and my personal laptop computer, I'm someone who is very, very grateful for all the ways to listen to music and completely switch off from people around me and listen to the music in detail, which is very hard to do if you're in a room with other people.
The etiquette of intimacy is very different from the etiquette of formality, but manners are not just something to show off to the outside world. If you offend the head waiter, you can always go to another restaurant. If you offend the person you live with, it's very cumbersome to switch to a different family.
I wouldn't say that I'm a consummate live artist. Album work is kind of just like quilt weaving or something. But live music is just like a method of emptying out the mind through volume. Volume as a form that allows you to do different things. And that doesn't really translate to recorded music, like how do you listen to that, on Spotify or in your car? It's not the same kind of effect. I would say that the loudness is a huge part of what I do live.
When I perform, I like to immerse myself in the music, and I just try to get off on the diversity of music.
I listen to music all the time, and I just choose things I like, or things that I've not used before. Sometimes I work with music that's very difficult - that I don't even particularly like, per se, but that is really complex or interesting.
We live in a very chaotic world that sometimes we - it just seems like a mess. One of the reasons why we listen to music, and to great classical music in particular, is that everything is in an order and in a place and has a beauty that you see in nature, that you see and that people look for when they look for God.
In a sense, I like to think of the live performance as something different than the record, not necessarily looking to exactly recreate the record. Sometimes Matt and I just do duets folk-style. Part of the fun of seeing a live show is having it be different from the way that you hear it in your bedroom or wherever you listen to music.
I'm a very deep thinker, and I find it very hard to switch off at night, so I usually have to put on an episode of 'Friends' or listen to some music before bed.
Guys like Future and me, we help create and shape the sound of music - not just Atlanta music, but music all over. If you really pay attention to the music being made, a lot of that is very heavily influenced by the stuff that we created. I listen to so many songs that's like, 'Damn, this sounds like my music!'
I don't think about what I can't do or what I shouldn't be doing. I just think there are endless possibilities musically, really. And I'm very, very open to experimenting with different people and trying to find different methods of writing and making music.
I'm aware that as much as people like hearing and listening to my music, it's also very therapeutic for me to be able to express myself some way - how I'm feeling, how I'm thinking, and just saying what's in my heart and on my mind. I need to do that to maintain my sanity.
Like everybody else, I love a good pop song. You know, there's nothing like it. I also just really like music that goes off on extended forays of extrapolation into different areas. So it's kind of nice to be able to move between those two poles.
I meditate. Like probably a lot of people, my mind was opened almost ten years ago with The Secret. From there, I devoured anything Wayne Dyer ever wrote. I listen to him constantly in my car. And Eckhart Tolle. And Paramahansa Yogananda. All this has helped me through the ups and downs of acting and kept me on my path.
What I've learnt is to be in the now. It's something my mum has always said to me, and when I read a book called 'The Power of Now' by Eckhart Tolle, I realised just how important it is.
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