A Quote by Alesha Dixon
When I first got the call to do 'Britain's Got Talent', it was actually Amanda who was one of the first people to reach out to me and suggest we go out for a coffee and have a conversation. And we did, and it was great.
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I tried out for 'The Voice,' and I also tried out for 'America's Got Talent,' and both them, like, reached out to me. I had, like, little singing video on YouTube, and they were like, 'Come out for an audition.' I did, and I got a callback for both of them, actually, and, uh, didn't get anything after that. I was so heartbroken. But look at me now!
I find that a lot of people don't take the advice they're given. But I would do what they suggested, and then follow up with them and say: "Hey, thanks so much. Here's what I did. It worked out great." Now what happens? They feel pretty good about giving you the advice because they had a positive impact. So when I reach out to them again, they're more likely to actually respond to my e-mail or my call. And then they might be more willing to have coffee with me.
A big moment for me was when I did a play that was a new adaptation of Dostojevskij's 'Crime and Punishment,' and I played Raskolnikov. It was actually the first thing I did when I got out of acting school.
Now you've got people who don't really have the skills, because technology hides it, going out and putting these crappy singles out, and because that's all there really is, people basically eat it like hamburgers. It's become very, very commercialized. Which wouldn't bother me as much if people actually had talent. When I listen to something and the first thing I notice is that it's been turned into crap, I shut it off and throw it out the window of my car. Like it's the most offensive thing to me.
I think the best thing I ever did was, years before I got the 'Late Night' show, when I first got out to Los Angeles to be a television writer, the first thing I did was I signed up to take improvisational classes... And I studied that for years, and I really loved it.
I literally knew nothing when I did that show ["Tony Flanagan"]. It was the first time I signed an autograph, it was the first time I got fan letters, it was the first time people screamed when I came out.
Britain deserves better than people who say they've got a quick fix but won't tell you what it actually means for Britain, we need a much bigger conversation than this.
I came in on the decline. Phil Elliot was in first, he got his book out, he sold thirteen thousand, I think he got two issues out before I got mine in, this was March '87. He was out in December '86.
What I would argue in my defence is that shows like Britain's Got Talent and The X Factor have actually got people more interested in music again and are sending more people into record stores.
What I would argue in my defence is that shows like 'Britain's Got Talent' and 'The X Factor' have actually got people more interested in music again and are sending more people into record stores.
I did a job. I completed my Matric and my Bachelors. I did a marketing job. I worked as a bus hostess. I did a lot of jobs; I struggled a lot. I got out from there. The first thing I did when I got out of Darul Aman was my Matric. Then I did my Bachelors privately; I kept doing it.
Abbey Road was actually one of the first studios I ever got the chance to go to. A friend of mine won a competition and got the chance to spend a day recording there - that's when I was around 15 - and I was the only one who could engineer out of all of us.
Perseverance. I got cut twice. I got cut in Charlotte. I didn't have to go to Atlanta to audition. I could have said, "I'm not cut out for this." But I said, "I think I'm better than that, I can go try again." So I went to Atlanta and I made it through. Then I got cut the first time around. I could have told them I didn't want to come back for the Wild Card show but I did and look how far I got.
There's an awful lot of future out there, and what you got to do, is you go to out and grab it, wrestle it to the ground, accept the challenges, and then decide. You've got the skills. You've got the knowledge. You've got the love, and you're capable of moving forward and making a great life yourself.
I think most artists start off playing in front of people and are used to doing it before they go out. I kind of did it the opposite. The thing got blown sky high and I'm on TV on "Good Morning America" doing my first performance in front of everybody. I think it was backward and from that, what I got out of it, the end is what I wanted, which was headlining my own tour, having people come because they loved my record and loved my music.
Never did I want to call the first time-out during a game. Never. I wanted UCLA to come out and run our opponents so hard that they would be forced to call the first time-out just to catch their breath. At that first time-out the opponents would know, and we would know that they knew, who was in better condition. This has a psychological impact.
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