A Quote by Alesha Dixon

'The Alesha Show' was done with production crew Xenomania, and this time, I've worked with a lot of upcoming new producers. — © Alesha Dixon
'The Alesha Show' was done with production crew Xenomania, and this time, I've worked with a lot of upcoming new producers.
I have a lot of respect for, always dig, the crew. Sometimes a lot more than the cast. But a good run production team is paramount to making a good film. You just can't it done without a good line producer, without creative producers, without people who are making stuff happen.
When I worked with Chinese crew for the first time, including production unit, spot boys etc, everyone was so affectionate, sweet and kind.
Our power creates collective production in the service of the people and the revolution, destroys exploiting production, transforms individualistic producers into producers integrated into the collectivity.
I didn't come in as a writer that found producers, I came in under producers. So I've always respected the actual production process and producers in general.
I worked a lot on 'Conan' as an actor, and when I moved to New York, a lot of my friends were on the first staff of that show. I started doing bit parts, which was the first thing I'd done on camera in front of a live audience.
I've worked with a lot of different producers, a lot of different writers on the album, so I mostly feel like I learned a lot about what I don't want to do the next time around.
DJ Sliink is amazing, and his production is on the next level. There are a lot of EDM producers that I'd like to work with, not for the sake of having an engineered record, but for the fact that I love their production and music.
DJ Sliink is amazing, and his production is on the next level. There are a lot of EDM producers that Id like to work with, not for the sake of having an engineered record, but for the fact that I love their production and music.
I put in a lot of effort for a show like 'Jhansi Ki Rani,' and it worked. I think I am very lucky I have done that show!
I was doing it the amateur way, doing everything myself till 'Naalaya Iyakunar.' They said, 'You need crew members'; they insisted on having proper production values. So I learnt a lot about making films for that show.
From my years of work with so many game show production companies and their producers I'm probably no longer eligible to be a contestant on any American game show.
Well, the 'Giuliana & Bill' show is a little bit different because Giuliana and I are the executive producers of the show, so certainly we have a lot of control and we have total, I guess if we wanted to, editing power, but I will say, in the seven seasons we've done the show, we've never used our executive producer powers to cut something out.
I knew that there was an upcoming screening where not only were we going to show it to everybody else at the studio, we also needed to move into production... And yet I was sitting there in editorial going this is not working. I'm a failure.
I think it's important for me, for my crew and for the audience to bring something new to each show. I have friends who have done the same act, word for word for word, for 20 years. I have a problem with that. I think the audience should see something new in each show.
There's a lot of work to do - not only the science but maintaining the facilities up here. When you go down from a crew of six to a crew of three, obviously you've lost half of your crew time available, so it does have an impact. But it's an impact we plan for.
I've never worked for a show or was on a show where I didn't have a lot of control creatively, but then again, I haven't worked on a lot of shows.
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