A Quote by Alessandra Mastronardi
Comedy is such a private thing; it's not always easy to translate something funny from one language to another. It's very personal and cultural as well.
Related Quotes
A lot of people who do drama say comedy is the hardest thing, but, not wanting to sound like a bighead, comedy is easy for me, as I've always been fairly funny.
How can you analyse what is funny? What's funny to one isn't funny to another... What's funny to you is a personal thing.
My dad always made a big thing about having well-cut suits. It's partly a cultural thing, but for him, looking sharp and presenting yourself well was very, very important.
It's not easy to direct in another language, especially comedy.
But actually a code is a language for translating one thing into another. And mathematics is the language of science. My big thesis is that although the world looks messy and chaotic, if you translate it into the world of numbers and shapes, patterns emerge and you start to understand why things are the way they are.
The only thing that I don't like is my kids watching comedy that isn't actually funny. There's a lot of supposed tween comedy on TV that isn't particularly funny, but it's got a lot of laugh track. And I go, 'Please don't watch that. Please just watch something that's actually funny.'
Comedy is so subjective. You could be in a room with 400 people laughing at a joke and you could just not think it's funny. You're just sitting there like, 'Am I in the twilight zone? Why is everyone laughing?' It's such a personal thing. People have such a personal visceral response to comedy.
Comedy is just an unspoken language. Everybody understands it. Funny is funny. When it's not funny, they'll let you know.
People in Israel would write in a high register, they wouldn't write colloquial speech. I do a special take on colloquial speech. When I started writing, I thought [the language] was telling the story of this country: old people in a young nation, very religious, very conservative, very tight-assed, but also very anarchistic, very open-minded. It's all in the language, and that's one thing that doesn't translate.
My faith was started off by my grandmother and mother, and so I always saw it as a very private, personal thing.
Comedy is a very personal thing, and some people will find it funny, some people wont.
Comedy is a very personal thing, and some people will find it funny, some people won't.
I've noticed, as a comedy fan, that I really like Paul Thomas Anderson or Quentin Tarantino because when they're funny, they're actually funny. It's not like when other dramatic writers have comedy, and I'm just like, 'Well, that's not funny. Why are you even trying to make a joke here?'
There is something false in this search for a purely feminine writing style. Language, such as it is, is inherited from a masculine society, and it contains many male prejudices. We must rid language of all that. Still, a language is not something created artificially; the proletariat can't use a different language from the bourgeoisie, even if they use it differently, even if from time to time they invent something, technical words or even a kind of worker's slang, which can be very beautiful and very rich. Women can do that as well, enrich their language, clean it up.
People used to make fun of alternative comedy because sometimes it would be someone being funny, and sometimes it was a crazy man with a flute making no sense. And it's very easy to be like, yeah, that's not really comedy.
Most of the jokes that I wrote were funny and there always seems to be an aspect of comedy in my long-form work. I think that's how life is. I think even the more dramatic moments of one's life are often punctuated by very funny comments or situations. I like to say, "Keep your comedy serious and your drama funny, and you'll be pretty true to life."
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