A Quote by Alessandro Michele

I think if you work with different kinds of codes, attitudes, in the end you have a language. It's like within a person. You are not always the same. — © Alessandro Michele
I think if you work with different kinds of codes, attitudes, in the end you have a language. It's like within a person. You are not always the same.
We agree that language functions in a certain way so that we can understand each other; but within that are built all sorts of sentimental codes, codes of authenticity, codes of certain kinds of emotion.
I love dressing for different occasions and having dress codes. For me, it's such a fun thing to have a reason to think about dressing within restraints or codes or rules, so it's something I have fun with.
I think for acting on stage and in film, one informs the other. Obviously, they require really different kinds of discipline and really different kinds of work. It's more along the same continuum, for me.
God has to speak to each person in their own language, in their own idioms. Take Spanish, Chinese. You can express the same thought, but to different people you have to use a different language. It's the same in religion.
God has to speak to each person in their own language, in their own idioms. Take Spanish, Chinese. You can express the same thought, but to different people you have to use a different language. Its the same in religion.
I always have the feeling that my subjects are the same - I'm just changing my point of view. I'm going to move a little bit this time and watch it a different way. But at the end, I think I'm always fascinated by the same things, except I will express them over and over again, with different words, with different colors, with different shapes. But strangely it will always be the same topics or subjects that are so important to me.
There's a bit of a new guard of contemporary classical musicians in New York, and we play a lot of different kinds of music together. We do pop studio sessions, and we'll also play John Cage and more avant-garde work. We're developing a language of music that comes with a lot of different styles, different kinds of work.
Scientists in different disciplines don't speak the same language. They publish in different journals. It's like the United Nations: You come together, but no one speaks the same language, so you need some translators.
I've always been the underdog, and I've always had to work much harder than the next person just to get a look. But I feel like that's Black people as a whole, to be honest with you. We have to do so much more and work so much harder to get certain kinds of looks within this industry.
Religious law is like the grammar of language. Any language isgoverned by such rules; otherwise it ceases to be a language. But within them, you can say many different sentences and write many different books.
Within your own generation-the same songs, the same wars, the same attitudes toward those wars, the same rules and radio shows in the air-you can gauge the possibilities and impossibilities. With a person of another generation, you are treading water, playing with fire.
If you think you are beaten, you are. If you think you dare not, you don't. If you'd like to win but think you can't it's almost certain you won't. Life's battles don't always go to the stronger or faster man, but sooner or later, the man who wins is the man who thinks he can. A happy person is not a person with a certain set of circumstances, but rather a person with a certain set of attitudes. I may not be able to change the world I see around me, but I can change the way I see the world within me.
Dress codes and gestures and attitudes have always inspired me, as has youth culture in general, although now I question it more. If you analyze youth cultures over history, there has always been something strict about them - you have to be like this or like that.
I think you end up writing things you like. I like seeing actors playing two different parts at the same time. I think it's interesting. It kind of shows you two sides of a person.
I like the saying: "The world is as you are." And I think films are as you are. That's why, although the frames of a film are always the same - the same number, in the same sequence, with the same sounds - every screening is different. The difference is sometimes subtle but it's there. It depends on the audience. There is a circle that goes from the audience to the film and back. Each person is looking and thinking and feeling and coming up with his or her own sense of things. And it's probably different from what I fell in love with.
Even though there are so many different 'kinds' of music - different textures, different timbres, different attitudes - there is something divine at the core of all music.
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