A Quote by Alessandro Michele

I always explain through images and characters what fashion means, and describing scent is almost the same. It can be very powerful. It can really change the perspective a person has of you.
The '50 Shades' series is a Cinderella story, where the characters seemingly have no flaws. The 'Crossfire' series is very different in that these two characters are almost mirror images of each other.
It's always intrigued me that amidst the group called slaves there were individuals who were extremely able, who were extremely colorful, who were powerful personalities, who by no means fit the usual images of slaves. They were people who, through their personalities and abilities, were very respected in the community where they lived by both black and white.
I couldn't function if I weren't allowed to stretch and do really different characters where I can change the whole "beingness" of that person. That's my pleasure in acting and has been since I was a kid. That's always been my pleasure to create complete characters.
And almost always there has to be change, change in the characters is the journey - it's the story.
You don't implement change easily in Japan unless you explain very clearly why you need to do this change, how you're going to do this change and what's going to be the outcome of this change. If you offset or you forget to explain one of these three steps you're not going to do it.
I'd have to think about it, but I was listening to this Johnny Cash song today that Tom Waits wrote for him - I think that's the story. For some reason it's a thing that sticks in my brain. He's describing this scene where he sees all these almost biblical images happening kind of in this burrow where this biblical train runs through this yard.
I often have a few scents depending on if I'm playing a character. The character may be wearing a scent that perhaps I wouldn't wear. We've all got different moods and ways we want to express ourselves; scent is a very powerful way to let people in to your secret life.
I am very proud of Zendaya for standing up for herself, her generation and her ancestors. Her response was classy. Locs are a lifestyle for some and for others an artistic fashion statement..In either case, the images express power, natural beauty, and a boldness that always stands out. It is when you truly spend time with a person that you know who they really are on the inside, and not by what you see on the outside.
We could almost say that being willing to be a fool is one of the first wisdoms. So acknowledging foolishness is always a very important and powerful experience. The phenomenal world can be perceived and seen properly if we see it from the perspective of being a fool. There is very little distance between being a fool and being wise; they are extremely close. When we are really, truly fools, when we actually acknowledge our foolishness, then we are way ahead. We are not even in the process of becoming wise — we are already wise.
There's a randomness, even if you're talented. This is a very unforgiving industry that puts you through the ringer. It is not easy by any means, but it's one of those things that if you have the patience, the perspective, and the talent, it can really take off.
People always form images of who others are, and they can be inflated images. People may not realize that the enormous energy and spiritual power that comes through a teacher, especially in a teaching situation, has nothing to do with that person.
I've always been an admirer of women who walk the line of being very feminine and powerful at the same time. That has always been my archetype because too many powerful women, I fend intimidating and frightening, and I never want to scare anybody. I want to be warm and cuddly and yet, powerful at the same time.
I have always liked kind of outsider characters. In the movies I grew up liking, you had more complicated characters. I don't mean that in a way that makes us better or anything. I just seem to like characters who don't really fit into. You always hear that from the studio: "You have to be able to root for them, they have to be likeable, and the audience has to be able to see themselves in the characters." I feel that's not necessarily true. As long as the character has some type of goal or outlook on the world, or perspective, you can follow that story.
All the songs are written from the perspective of a person, being me, who had trouble with some of the big questions in life, like, are we meant to be together with the same person for the rest of our lives? Or, is it frowned upon if a man goes through many women at all times? What is the meaning of love versus sex? It's just a lot of big questions, I guess, that are really difficult to answer. People see it very differently, but people sometimes suppress their lust. And it's not only sex. It could be lusting for anything that's supposedly very bad for you but can be good for you, too.
My mum was very conscious about fashion and my dad was born into the tailoring tradition, so fashion has always been my life, although now, really, I wear the same thing - just in different weights - light and heavy cashmere in winter and cotton in summer.
People have really strong images of what church is, and it's almost certainly not the same as mine.
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