A Quote by Alessandro Michele
There is something in Shanghai that is very exciting and alive - the idea of a city with two different souls, one from today and another from a long time ago, is amazing.
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That is - the use of the subjective camera is an idea that's been around in movies for a long, long time. And it's an idea that was seized on very notably by Sam Fuller and by Alfred Hitchcock in two different very kind of - otherwise very different styles of filmmaking.
It was a long time ago: I was 13, and my dad actually sent photos to two different agencies of all of my family, and I had no idea.
Berlin is still a very edgy place, a very cosmopolitan place. It's a place where completely different ideas and cultures come together and clash in a very warm way. In a very warm-hearted way. It's a very young city. It's a vibrant city. It's an exciting city. It's a city that's also scarred by history. I think that's to be celebrated and graffiti is to be celebrated. Graffiti in Berlin is very different than when they spray something on the wall dividing the west bank and Israel. And should be treated as such in Berlin.
I've been exploring a lot of different avenues with a number of very different and very, very exciting filmmakers and writers. That's been the trip. I like to find something very, very different from the last thing I did, which might be similar to something I've done before, but as long as it's different from the last thing I did, it keeps me entertained.
I don't think too much about the past when I am actually playing, I prefer to concentrate on the present. The performance of a piece, no matter how long ago or where it was written, is always a new production, something that comes alive in the present. And it doesn't matter if the piece was written two or three hundred years ago if it is alive in us.
Revolutions just spread blood. Evolution - this is something that changes in the long term. Because history is long term. But today, we don't talk about history. The past is two weeks ago, and the future is two weeks after.
Two years ago your father died, Ulysses. But as long as we are alive, as long as we are together, as long as two of us are left, and remember him, nothing in the world can take him from us.
I also have an amazing codesigner and an amazing partnership with New York & Co. The exciting part of growing together and having this kind of long-term relationship is that they can anticipate where I'm going with something. So our relationship is very defined, it's a true partnership so I'm not doing it all by myself.
I'm very conscious of the idea of trying to each time present something that I haven't presented before. It's a challenge to me to find something new, to find something innovative, but it's also very exciting.
The plan was for Jesus to come to Earth two thousand years ago with a pocketful of miracles and souls for the people who were then alive. After his return to heaven from Earth he is going to build those mansions, come back before his generation dies out, finally put an end to the world which has been such a rotten disappointment, and deposit most of these souls in hell. No wonder heaven is only 12,000 furlongs wide, long, and high.
There's nothing worse than the guy who at the party goes, 'Oh, I had that idea two years ago.' Well, then, why didn't you do something two years ago?
A long time ago a very powerful race of Indians lived here. They were from another cycle; their being was of another composition. They are still here, even now, you can see them on the mountain rims.
You don't have to spend much time in Shanghai before you start to get all existential about the meaning of authenticity. Did you know that Shanghai is building nine satellite towns, each designed to mimic the architecture and culture of a different country?
I was born in Suzhou, a city not very far from Shanghai. It's a very interesting town - there is a long artist's tradition there, especially during the Ming and Ching dynasties, which produced many, many scholars and painters and so forth. That's where my family lived for 600, 700 years.
The American idea my ancestors fought for during the Revolutionary War is as exciting and revolutionary today as it was 250 years ago.
I came to N.Y.C. in 1988 and got very involved with Act Up. I also started making movies, including two very gay shorts, 'Vaudeville' and 'Lady.' It was the height of the AIDS epidemic, and New York City was both dying and very alive at the same time.
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