A Quote by Alessandro Michele

All of us, we are not one thing: we're always between two worlds, and the idea of not being sure is very appealing to me. — © Alessandro Michele
All of us, we are not one thing: we're always between two worlds, and the idea of not being sure is very appealing to me.
Choose one thing and become a master of it. Choose a second thing and become a master of that. When you become a master of two worlds, say, engineering and business, you can bring them together in a way that will a) introduce hot ideas to each other, so they can have idea sex and make idea babies that no one has seen before and b) create a competitive advantage because you can move between worlds, speak both languages, connect the tribes, mash the elements to spark fresh creative insight until you wake up with the epiphany that changes your life.
I love creating bold, cinematic moments with my runway shows, so the idea of being a film director has always been appealing to me.
Jew and Gentile are two worlds, between you Gentiles and us Jews there lies an unbridgeable gulf...There are two life forces in the world Jewish and Gentile...I do not believe that this primal difference between Gentile and Jew is reconcilable...The difference between us is abysmal...You might say: 'Well, let us exist side by side and tolerate each other. We will not attack your morality, nor you ours.' But the misfortune is that the two are not merely different; they are opposed in mortal enmity. No man can accept both, or, accepting either, do otherwise than despise the other.
I think it is very possible he [Donald Trump] could be nominated and depending on how this all plays out, I would take him seriously in terms of being able to win because he's appealing to a very, very - he's appealing to fear.
I think the contrast between these two in the professional world of cinema mattered to me. One who has reached the ultimate point of being a star, who knows how to do everything very well, facing another person who would throughout the making of the film transfer his anxiety to both of us, to me and to Juliette, as to whether or not he would be capable of fulfilling his role. This in itself created a challenge that was actually very good for me, since I hadn't ever counterposed two such performers before, creating that challenge between someone who knows their part and someone who doesn't.
The underlying struggle - between worlds of plenty and worlds of want; between the modern and the ancient; between those who embrace our teeming, colliding, irksome diversity, while still insisting on a set of values that binds us together, and those who would seek, under whatever flag or slogan or sacred text, a certainty and simplification that justifies cruelty toward those not like us.
It sounds formulaic now, but at the time, I was interested in the difference between the thing and the representation of the idea of the thing - the space between the two.
I think a lot of Africans in my generation, and especially those of us who have spent time overseas before coming back, are quite comfortable moving between the two worlds, though always with a lens of, 'What can we do to help our countries or regions?'
On this narrow planet, we have only the choice between two unknown worlds. One of them tempts us - ah! what a dream, to live in that! - the other stifles us at the first breath.
I think that idea that sort of our emotional self and our emotional life is a faucet that you turn on and off, and that we are in control of it entirely, that's a really appealing idea for a lot of people. But there are certainly the times where it's appealing to me, but it never quite works the way I hoped it would.
The struggle between the two worlds [Fascism and Democracy] can permit no compromises. It's either Us or Them!
I know Elon, we're very like minded in many ways. We're not conceptual twins. One thing I want us to do is go to Mars, but for me it's one thing. He's singularly focused on that. I think motivation wise, for me I don't find that Plan B idea motivating. I don't want a plan B for Earth, I want Plan B to make sure Plan A works.
I keep telling this story - different people, different places, different times - but always you, always me, always this story, because a story is a tight rope between two worlds.
The stupidity of militarized fences between two worlds is a metaphor for all the things that divide us as human beings.
As a teenager, the idea of running around, screaming at people was very appealing to me.
I'm Franco-Swiss. I've always been shuttling between these two worlds, never firmly planted in either one.
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