A Quote by Alex Abreu
Making a film from the point of view of a young boy's eyes opened the door to another universe with lots of freedom and to explore a new dimension. This was achieved as I started doing things that were close to what exists in a child's universe.
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To say that the universe exists is silly, because it says that the universe is one of the things in the universe. So there's something wrong with questions like, "What caused the Universe to exist?"
Elizabeth's voice had a door in it. When you opened that door you found another door, and that door opened yet another door. All the doors were nice and led out of her.
The first idea of Young and Beautiful was to have a young boy and to explore the sexuality of boys. But, I realized, with a boy doing prostitution, of course it has to deal with homosexuality. And I had a feeling it was too much for the film, you know, sexuality, prostitution, adolescence ... there were too many films for one film.
Whitman expressed the whole universe in his poetry and in his catalogues. That attitude almost defines what we call American romanticism, or American transcendentalism. I feel particularly close to them, because I am now out in the universe. I’m in a position to see nature from another point of view, to be outside the earth and see the big picture.
The child awakens to a universe. The mind of the child to a world of meaning. Imagination to a world of beauty. Emotions to a world of intimacy. It takes a universe to make a child both in outer form and inner spirit. It takes a universe to educate a child. A universe to fulfill a child.
If you take a more Darwinian point of view the dynamics of the universe are such that as the universe evolved in time, complex systems arose out of the natural dynamics of the universe.
Hubble has really opened our eyes to what the universe is made of, its structure, and has helped us learn how little we know about the universe.
I believe, or sense, that the universe has not been constructed from a purely mechanical, logical, rational point of view, but there is a magic afoot in the universe, that God can be looked at as a kind of a magician in which we get to perform tricks ourselves, without knowing that we're doing so.
I feel particularly close to them, because I am now out in the universe. I'm in a position to see nature from another point of view, to be outside the earth and see the big picture.
You unlock this door with the key of imagination. Beyond it is another dimension: a dimension of sound, a dimension of sight, a dimension of mind. You’re moving into a land of both shadow and substance, of things and ideas. You’ve just crossed over into… the Twilight Zone.
When I started making music, I made music in a very commercial space and I didn't have room to really explore things on my own terms. It took me awhile to create a little bubble where I could explore other things, and new things. When I did that, my tools were songwriting and arranging.
What you can't teach someone is how to find the door. You can't give someone a door to another universe. You can tell them that the door exists, and if they're stuck in the hallway you can be like, "You're stuck in the hallway," but you can't open the door for them.
The sun's champagne streamed from one body into another. And there was a couple on the green silk of the grass, covered by a raspberry umbrella. Only their feet and a little bit of lace could be seen. In the magnificent universe beneath the raspberry umbrella, with closed eyes, they drank in the sparkling madness. 'Extra! Extra! Zeppelins over the North Sea at 3 o'clock.' But under the umbrella, in the raspberry universe, they were immortal. What did it matter that in another far-away universe people would be killing each other?
There were timelines branching and branching, a mega-universe of universes, millions more every minute. Billions? Trillions? The universe split every time someone made a decision. Split, so that every decision ever made could go both ways. Every choice made by every man, woman, and child was reversed in the universe next door.
I realised I was living in my own universe with lots of assistants. I didn't have a cell phone; I didn't know how to use a computer. Everybody was doing everything for me. So I left and moved to New York. It was the end of an era, and I must say I found myself a bit lost. I wasn't in the protected Mugler universe any more.
[With quantum computers] you can calculate how many bits are in the universe, how much energy it takes to flip them, how much energy exists, and use that to rule out lots of things about the universe's history. Anything that takes more bit flips couldn't have happened.
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