A Quote by Alex Borstein
When I was doing stand-up, there were a lot of things I talked about that seemed very silly but were therapeutic.
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Looking back, I remember my family laughing a lot. We were never the kind of people that dwelled on hard times. My family laughs when things are tough. Growing up like that, I got used to making jokes about things that were difficult. So when I started doing stand-up, that's what I went towards.
There were not that many people who were willing to come out and stand up for Muslims or stand up against the abuses of the Bush administration. That was post-9/11, so I think there was a lot of fear at the time about exactly what that meant - were they unpatriotic if they stood up?
My tough and grotesque images were thrown on the roads and were stepped on by my critics, and I was talked about with scorn. I felt regret that readers only seemed to like something they were accustomed to.
When we were doing a scene, lots of times we would collapse giggling, because it seemed so silly because it felt like we were doing a home movie at times.
When we were doing a scene, lots of times we would collapse giggling because it seemed so silly because it felt like we were doing a home movie at times.
To me, acting is very therapeutic. I get out a lot of anger and frustration. It's maybe hard to believe, but as a kid I really had a lot of self-doubts. My father was very ill - he was an alcoholic - so there were a lot of things that built up for me. And because I was going to a Catholic school in a small German town, a lot of it was suppressed. I was angry and didn't know how to get it out.
For the first case I did with Octone, 360 deals were not at all being talked about. And then for the follow-up case, it was the focus. I wanted to see how things were changing and what the new challenges were.
We as a group were a voice for women. We've been through a lot, we've experienced a lot. We were very outspoken. We expressed ourselves. To this day we stand by that, we freely talk about sex and relationships.
We thought that the odds of things working OK were up in the upper 90 percent or we wouldn't have gone. But the - there were some problems cropped up on the flight but was able to take care of those OK and - although they were things that we hadn't really trained that much for. But it was the time of the Cold War and so there were was a lot of pressure on the - to get going and the Russians were claiming that they were - Soviets were claiming they were ahead of us in technology.
If you were in the film industry at that time, you were always picked up by directors who were much older. You were whisked about and shown things. I did work very hard though.
I was a woman and younger. I started spending a lot of time in the mall doing a lot of qualitative research and really watching what consumers were doing. Were they gravitating towards the sales racks, or were they looking at the new fashions? Were they there to shop, or were they there to socialize?
My parents were very, very close; they pretty much grew up together. They were born in 1912. They were each other's only boyfriend and girlfriend. They were - to use a contemporary term I hate - co-dependent, and they had me very late. So they had their way of doing things, and they reinforced each other.
There have been a lot of things where communities haven't been portrayed in a positive light, and even when we were doing 'Youngers' in Peckham, people were cautious about what we were filming.
People talked a lot about this upcoming talent on the Yankees and it was something that you kind of saw coming. These kids were so hungry and I believe that's why they became so successful. They worked very hard and they were so hungry, and I think that leads to wins.
I think that's something that always enticed me about the '40s - back then, the glamour and the style - you couldn't really make it up. You just were or you weren't. You either fit in that world or you fit in the other. Things were very cut and dry. Things were simple. There wasn't a whole lot of excess or flash to be flashy; it was real flash, and real excitement.
But by us doing a lot on the road, we were able to afford things like videos on the tours, cartoons that we'd open up the shows with. We were doing that way back when and now it's the hippest thing to do. We're just coming back around, I guess trying to play catch-up.
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