A Quote by Alex Bregman

You can be on top of the world one day and the next day you can go 0-for-4 with four strikeouts. — © Alex Bregman
You can be on top of the world one day and the next day you can go 0-for-4 with four strikeouts.
Strikeouts are something that just happen. You don't go for strikeouts, because your pitch count gets too high. When you do get that opportunity, you have to put them away with whatever is working that day.
One day you're on top and the next day everyone is putting you down but for me Zidane is the best trainer in the world.
I don't try for strikeouts, but batters just swing and miss. I'd exchange strikeouts for more innings. As a starter, my job is to go deep into the game. When you get strikeouts, you throw a lot of pitches and sometimes you come out early.
Grief, as I read somewhere once, is a lazy Susan. One day it is heavy and underwater, and the next day it spins and stops at loud and rageful, and the next day at wounded keening, and the next day numbness, silence.
One day, I'll be listening to a bunch of Ray Charles, the next day it's nothing but Red Hot Chili Peppers. The next day it might be Tupac all day.
I am convinced more and more day by day that fine writing is next to fine doing, the top thing in the world.
The first time I was in the ring, I wasn't good at it, and I honestly thought, 'Maybe this isn't for me.' Then I went back the next day and the next day and the next day... because I loved it more than anything.
When I get started each day, I read through and correct the previous day's 2,000 words, then start on the next. As I reach that figure, I try to simply stop and not go on until reaching a natural break. If you just stop while you know what you're going to write next, it's easier to get going again the next day.
There aren't a lot of entertainment-based mediums, the visual or recorded mediums, that empower the audience to go off the next day and create it themselves. You can't watch a movie or a show and the next day say, 'I want to make that.' You have to go to school.
All the criticism and all of the praise, it doesn't - it's not worth the salt that goes on my bread, because TV is fickle. You can be loved one day and hated the next day. One day, you're getting an award. And the next day, you're getting a death threat.
I love going into rehearsals day after day for three, four weeks, trying stuff, coming back the next day, building on that. So many times I'd drive home from the studio [after] shooting and I'd be thinking about a certain moment, and I'd think, "Oh, I know what to do!"
There were a small number of voices that said, 'Darvish only cares about strikeouts.' Although I may have had strikeouts in my mind, fans, team, teammates and team staff were always my top priority.
Surviving the grind of 18-hour days and getting up at four in the morning to work out for an hour so I'd have the energy to do it again the next day. I did not know I had that discipline. I did not know I had the discipline to learn a seven-page scene in three hours to shoot that day or the next day. I didn't know that I was capable of realizing that potential.
Celebrity Apprentice' was something where you don't know what you're going to do the next day. Every two days, somebody goes home, and you don't know if the next day you've got to be the project manager or what's going to happen, so you can't really prepare. You really have to be on top of everything.
If we have a good day and we win, I'll celebrate and enjoy it. If I have a bad day and I lose, I'll be disappointed and then come back the next day and think about the next team.
You cannot play at your best and beat a top team one day and drop your level the next day.
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