A Quote by Alex Chilton

Fame has a lot of baggage to carry around. I wouldn't want to be like Bruce Springsteen. I don't need that much money and wouldn't want to have 20 bodyguards following me. — © Alex Chilton
Fame has a lot of baggage to carry around. I wouldn't want to be like Bruce Springsteen. I don't need that much money and wouldn't want to have 20 bodyguards following me.
If I'm in a bar and I gotta be sitting next to some clown who's like, "It's my tune," I don't want to hear you belt out Bruce Springsteen. That's why we have jukeboxes! Let's let Bruce be Bruce.
My favourite writers are always great storytellers, like Bruce Springsteen; I adore Bruce Springsteen. I feel like he doesn't beat around the bush, and he doesn't overcomplicate things. He puts things into layman's terms and tells stories that anyone can understand.
I don't want to tell you how to be a prince, but shouldn't you have some bodyguards or something?" "Bodyguards? Who would want to harm a charming guy like me?
I'm not a movie star like other actors in the way that I need to walk around with a bodyguard. My goal is just to get some interesting parts and make enough money to live free. Otherwise, to be a movie star, it's a lot of compromise and also a lot of headaches. You can't do what you want. You become a prisoner of your fame. This happened to me in France and I don't want it. I want to go to the terrace of a café, have a coffee. I have no problems with the fact that people recognize me, I'm very glad about it, but to be a movie star is kind of unreal for me.
Bob Dylan and John Lennon and Bruce Springsteen, these are soul guys. Bruce Springsteen might not sing like Otis Redding, but he sings with white soul. He's singing and he's writing songs from the bottom of his gut.
I want to be like Bruce Springsteen or something, making songs that are relevant.
I'm not a security-type person, I don't want to have bodyguards around me. I'm not into all that. Now we just chill in the house. There are a lot of times when we want to go out, but we just don't.
I remember writing '5 Dollars' out of intense listening sessions of Bruce Springsteen. I don't know if it's obvious, but I was obsessed with how limpid Bruce Springsteen's melodies are: It's such a great way to do storytelling and to still be melodic and catchy.
I don't have people following me around, like bodyguards. I don't know how people live like that. Maybe the young movie stars have to live like that, I don't know. But it seems a little crazy to me. I don't think you need all that stuff.
I didn't make that much money... Once I joined Bruce (Springsteen), I took a huge pay cut.
The offers were, like, a lot of money - maybe not for other actors, but definitely for me. But I don't want that power. I don't want $20-million power.
I want to get to the point where one day I don't have to have anything but a rug and a microphone stand on stage and still be able to sell out places like Madison Square Garden, like Bruce Springsteen does.
I'm not a security-type person: I don't want to have bodyguards around me. I'm not into all that.
When I first got started, I used to say I just want to stay in the studio, I want to make good music, I want to sing my heart out, and I didn't think I'd have people following me to a grocery store or following me home or stuff like that.
A lot of political music to me can be rather pedantic and corny, and when it's done right - like Bruce Springsteen or Jackson Browne or great satire from Randy Newman, there's nothing better.
Back 20 years ago, I was recording with Bruce Springsteen, and his producer called me and said I had to be in the studio the next day to finish the sessions, and I couldn't. I had to be in court, in California. All this took like 10 years out of my life.
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