A Quote by Alex Ebert
For me, it's very childish to tour on a train. And I think that's a powerful quality, to inspire childishness.
Related Quotes
When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up.
It was childish to feel disappointed, but childishness comes almost as naturally to a man as to a child.
When I was ten, I read fairy tales in secret and would have been ashamed if I had been found doing so. Now that I am fifty, I read them openly. When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up.
And pity--people who inspire it in you are actually very powerful people. To get someone else to take care of you, to feel sorry for you--that takes a lot of strength, smarts, manipulation. Very powerful people.
A problem with my novels is that they, from the start, have been infantile and incredibly childish. There are childishness, stupidity, lack of wisdom, fantasies. At the same time, that's where my creativity can be found. If I tried to control it and make it more mature, it wouldn't be good at all. It'd be uninteresting, without any vivacity.
My fans are crazy, but in a good way. Very supportive, and some tweet me more like a 100 times a day. As for tour tales, I have a saying: 'What happens on tour stays on tour.'
In 2002 I did a big tour of Europe, by train, by myself, on foot, all the time walking from train station to the venue, in a weird town, in a weird country. I'd brought an acoustic guitar with me but it got broken somehow in transit.
Writers to some extent are childish, and it's at the childish level that one really engages with any experience. What really moves you is at the very personal, childish level of the imagination. My business is the imagination, and my imagination is engaged by Asia.
My fellow actors inspire me a lot and really good writing inspires me. And then trying to stick to the decision to only do something that I think will challenge me and that I, personally and very subjectively, I think is good not do something because I think it will bring me a lot of money or bring me a lot of awards. I've tried to very, very rigorously be highly subjective about what I do. And that's something that I think I have basically lived by.
The way that people have gotten on board with me is the most encouraging thing in the world, but it's all very connected to the 14 years I've been on tour with Steel Train, even my band before that, Outline, and then fun. and now Bleachers.
People who are following their dreams inspire me. I train at this relatively new gym in West Hollywood called Training Mate. It's owned by a former Australian football player named Luke Milton. The classes are mostly taught by other Australians that are just like Luke: fit, funny, cute, and approachable. Now they're talking about opening another location. He will open another location and be successful because he's following his dream. People like him inspire me because they make me think I can do it too.
Great teachers and schools expect and nurture quality work and quality performance. Great teachers inspire and demand quality, ever urging their students to higher levels of excellence. They shun mere conformity and expect their students to think and perform to their ever-increasing potential.
I guess because twins have this mystique, and triplets - I think the normal sibling connection potentially can be very powerful, and there's this idea that it's even more powerful. It really is, not just someone like me, but another version of me.
Creative people inspire me. Athletes also inspire me to come alive, especially my daughter, a competitive gymnast who works very hard, as much as six hours a day on her gymnastics skills.
I think the message of the Live/Counting Crows tour is that, aside from what's going on trendwise, if you dig a little, you can always find something to inspire you.
I think that I've always written about things that are very personal, but initially, I coded everything. I buried everything under layers and layers and layers of code, but the signifiers of my emotionality were there for me. I knew where the magnets were, behind the gyprock, and the magnets were very powerful. I think they had to be powerful for me, otherwise the reader wouldn't have a reciprocal experience.
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