A Quote by Alex Ferguson
Cole should be scoring from those distances, but I'm not going to single him out.
Related Quotes
It would be great to go out there to catch all the deep balls and keep scoring and scoring, but obviously teams are not going to let that happen.
We underestimate the distance between ourselves and others. Not just inferential distance, but distances of temperament and ability, distances of situation and resource, distances of unspoken knowledge and unnoticed skills and luck, distances of interior landscape.
There's just so many great artists out there, but I think growing up, J. Cole has been the guy that I've always been listening to, even in college. Going from that struggle to stardom, that rise to stardom, 'Dolla and a Dream,' all that stuff - I've listened to all his classics, all the old J. Cole stuff.
To be able to look a young man in his eyes and believe in him and trust him and push him to be better, I get more out of that than scoring 3-pointers in general.
Joe: You don't want me, Sugar. I'm a liar and a phony. A saxophone player. One of those no-goodniks you keep running away from. Sugar: I know, every time. Joe: Sugar, do yourself a favor. Go back to where the millionaires are, the sweet end of the lollipop, not the cole slaw in the face, the old socks and the squeezed-out tube of toothpaste. Sugar: That's right. Pour it on. Talk me out of it. (She grabs him to kiss him.)
I think my deepest criticism of the educational system . . . is that it's all based upon a distrust of the student. Don't trust him to follow his own leads; guide him; tell him what to do; tell him what he should think; tell him what he should learn. Consequently at the very age when he should be developing adult characteristics of choice and decision making, when he should be trusted on some of those things, trusted to make mistakes and to learn from those mistakes, he is, instead, regimented and shoved into a curriculum, whether it fits him or not.
Michael Cole does not deserve to be piled on like many are doing. He deserves respect. Michael is fulfilling a role on a fictional, TV show. He has been 'cast' to play this role as best as he can. For those that have never sat in that particular seat, let me assure you that it isn't easy. Cole's new persona must be working because never before have so many fans, for better or for worse, commented on Cole's work.
Goal scoring is a recurring theme. If you aren't scoring then you aren't going to win games. That's obvious.
Cole made a hissing sound. "Are you inside yet? God bless America and all her sons. What is taking you so long?" The front door was locked. "Here, talk to Grace" "Mommy isn't going to give a different answer than Daddy," Cole said, but I handed her the phone anyway.
He ignored me, thank God, saying to Kat, "Let go of Frosty's leash. You're choking the life out of him." Her eyes narrowed to tiny slits, a sure sign of her aggression. "He deserves to choke. He didn't keep little frosty in his pants this summer." The words snapped like a whip. "He did." Cole snapped back with unwavering confidence. "Not." "Did." "Not!" "Did,"... "Not, not, not!" she shouted with a stomp of her foot. "What are we five?" Cole said. "Six."
I don't like watching others batting and scoring runs I could be scoring. It is nice to see guys being successful but at the same time I want to be the one out there doing it.
I've been fortunate in that the films I've worked on in the horror genre are themselves not pure horror, and have allowed me to write in a wide variety of styles. Those scores contain elements of fantasy, drama, action, comedy... really all types of scoring, and that gives the horror moments more impact. As for scoring the horror moments, I do like approaching the music from the psychological aspect, scoring to the characters' thoughts, emotions, motivations and such.
I was playing in a band and was approached to score an independent film. I had never done it, but had written instrumental music, so I figured I could do it. Turns out I loved scoring the film, and took on another couple films before realizing that if I was to be an effective narrative composer, I should study the craft of composition. I stopped taking projects and got a degree in orchestral music composition, and followed that with film scoring studies. Near the end of my degree studies, I started taking on student films as a way to get back into film scoring.
Every day I train with him I try to learn so even if it don't work out I can take something somewhere else because it's Thierry Henry. I grew up watching that guy scoring goals for Arsenal. I'm very lucky to have played with him. I just try to listen to him on the pitch, and stay close.
Andrew Reynolds, Chris Cole - all those guys are the people I grew up watching and they're some of the gnarly gnarliest dudes out there.
One night I'm going to have a big night scoring; some nights I'm going to have a big night doing other things. Just doing whatever it takes to win the ballgame, not necessarily sitting up here worrying about scoring 30 points.
Related Authors
Arsene Wenger Quotes
French
Coach
Bear Bryant Quotes
American
Coach
Bobby Knight Quotes
American
Coach
Buck Brannaman Quotes
American
Coach
Harry Redknapp Quotes
English
Coach
John Calipari Quotes
American
Coach
John Wooden Quotes
American
Coach
Jose Mourinho Quotes
Portuguese
Coach
Lou Holtz Quotes
American
Coach
Mike Krzyzewski Quotes
American
Coach
Nick Saban Quotes
American
Coach
Pat Summitt Quotes
American
Coach
Pep Guardiola Quotes
Spanish
Coach
Rafael Benitez Quotes
Spanish
Coach
Tony Dungy Quotes
American
Coach
Vince Lombardi Quotes
American
Coach