A Quote by Alex Ferguson

I am such a bloody talented guy. I might go into painting or something like that. — © Alex Ferguson
I am such a bloody talented guy. I might go into painting or something like that.
One drawing demands to become a painting, so I start to work on that, and then the painting might demand something else. Then the painting might say, 'I want a companion, and the companion should be like this,' so I have to find that, either by drawing it myself or locating the image.
If you look at UFC champions: BJ Penn - terrifying! GSP - terrifying! Anderson Silva - terrifying! But I'm not terrifying. I am not the super-submission guy, I am not the one-punch KO guy, so I am not the most feared guy in the worldBut I will not quit, I will not break and I will fight you like a dog for every second of every round. I am not a super-talented guy, I'm just a dude who will fight you tooth and nail.
Usually when I'm painting something it takes a lot of focus. I have the room I go into called the white room. In my imagination when I'm really focused I go into that white room and all that's there is me, my painting, and my tools. There's no distraction. When I'm really concentrated I like to have it silent but when I'm doing something that doesn't have to be necessarily perfect, I can just go for it.
Me, I want to bloody kick this moronic bloody world in the bloody teeth over and over till it bloody understands that not hurting people is ten bloody thousand times more bloody important than being right.
Each painting, I feel like I kind of might have gotten something. If I feel like I totally got it, there's probably something wrong and it's not finished. And if I really feel like I understand it then I'm done with these paintings and I'll have to do something else.
If you're talented and hardworking, great - good for you. You're gonna make it; you're gonna go places. But if you're talented and don't have the work element behind it, the guy that works harder is going to eventually outpace you and outrun you.
As a head coach, you're on two lists. You're the guy that might get fired, or you're the guy who might go somewhere.
I hope my talent has something to do with it. I just think this business is so crazy. I obviously do the best I can, and the directors I admire see something in me. But this is a strange business, and there are people who are incredibly talented who never make it, who never get these opportunities. So that's why I say I'm lucky. I don't feel that I'm not talented - I think I am talented - but I also think I'm very lucky.
I know that I am a lucky guy. I know that after an accident like the one I had, you know, only one guy out of a thousand can really go back home and still live. And I am that one. So I am totally aware of that.
The role of a comedian is to go in and make something funny. That might be a situation where I'm writing, a situation where I'm in control, like standup or something of my own that I'm making, or it might be something like being an actor in someone else's project.
If a painting of a tree was only the exact representation of the original, so that it looked just like the tree, there would be no reason for making it; we might as well look at the tree itself. But the painting, if it is of the right sort, gives something that neither a photograph nor a view of the tree conveys. It emphasizes something of character, quality, individuality. We are not lost in looking at thorns and defects; we catch a vision of the grandeur and beauty of a king of the forest.
Being a naive 20-something I didn't think that I could just go to the screen cartoonist's union, that I was a member of, and scream bloody murder and they would have jumped all over this guy and said, "Oh, but yes he does get screen credit."
I'm probably, if I might, if I stray I might write, go into screenplay or do something in film. Something like that but I think I'm pretty much going to stick to what I'm good at.
I just feel like I am a really lucky guy who these talented directors have found places for me. I feel honored and blessed.
I am like that guy on the 'Odd Couple,' and it is not the neat guy. I go into my room and find pieces of pizza under the laundry.
Usually my starting point is something that I've seen. It might be a painting, it might be an object. But they always start from a definite sensory experience.
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