A Quote by Alex Flinn

Each of my books took roughly one and a half years to write. Some may have taken a shorter time to write the draft and a longer time to revise, while others were the opposite.
I taught elementary school and painted apartments for ten years. Now I write full-time and never have to change a thing I write. Every book comes to me in a flash of inspiration and takes me about two seconds to finish. The longer books, like the 'Time Warp Trio' novels, take a little longer to write - more like four seconds.
I taught elementary school and painted apartments for ten years. Now I write full-time and never have to change a thing I write. Every book comes to me in a flash of inspiration and takes me about two seconds to finish. The longer books, like the Time Warp Trio novels, take a little longer to write - more like four seconds.
Each of my books has taken me a different length of time to write - eight months for Seesaw Girl, eight months for Shard, three years for When My Name Was Keoko! The publisher takes another year and a half to work on the book, so altogether each book can take up to three or four years to publish.
Each of my books has taken me a different length of time to write - eight months for 'Seesaw Girl,' eight months for 'Shard,' three years for 'When My Name Was Keoko!' The publisher takes another year and a half to work on the book, so altogether each book can take up to three or four years to publish.
I always write on unlined typing paper and write the first draft in longhand, using cheap Bic pens. I try to write about four pages a day, which usually yields a first draft in six months. I don't plot ahead of time, so I'm flying by the seat of my pants for the first draft.
The longer I write, the more important I believe it is to write the first draft as fast as possible. In drafting, I push myself so I am at the edge of discomfort...Later, it will be time for consideration and reconsideration, slow, careful revision and editing. But on the first draft I have to achieve velocity, just as you do if you want the bike to balance.
It can take years. With the first draft, I just write everything. With the second draft, it becomes so depressing for me, because I realize that I was fooled into thinking I'd written the story. I hadn't-I had just typed for a long time. So then I have to carve out a story from the 25 or so pages. It's in there somewhere-but I have to find it. I'll then write a third, fourth, and fifth draft, and so on.
Writers are troubled about finding time to write and writer's block and publicizing books that aren't books yet. They agonize over how to write and what to write and what not to write.
The best advice on writing was given to me by my first editor, Michael Korda, of Simon and Schuster, while writing my first book. 'Finish your first draft and then we'll talk,' he said. It took me a long time to realize how good the advice was. Even if you write it wrong, write and finish your first draft. Only then, when you have a flawed whole, do you know what you have to fix.
When you write your first novel you don't really know what you're doing. There may be writers out there who are brilliant, incisive and in control from their first 'Once upon a time'. I'm not one of them. Every once upon a time for me is another experience of white-water rafting in a leaky inner tube. And I have this theory that while the Story Council has its faults, it does have some idea that if books are going to get written, authors have to be able to write them.
I guess the thing I would say most fervently is that your original impulse to write something is an impulse you should trust, and that if it doesn't work on the first draft, which it hardly ever does, the commitment to revising ought to be something you embrace really early. And to revise and revise and revise.
In my office in Florida I have, I think, 30 manuscript piles around the room. Some are screenplays or comic books or graphic novels. Some are almost done. Some I'm rewriting. If I'm working with a co-writer, they'll usually write the first draft. And then I write subsequent drafts.
I revise a lot while I'm drafting, often going back to the beginning again and again to revise because I've changed massive things about the story. By the time I get to the end of a first draft, I've been through the beginning lots of times.
If you try to write 1,000 words a day, as I do, after 100 days you'll look up and have a book. It may be a mess, and you may have to revise it 50 times, but you can't revise it if you haven't written it.
From beginning to end, the novel [Dissemblers] took about three and a half years to write. I didn't write it chronologically.
Every writer writes in different ways, and so some write the music first, while others write the lyrics first, and some write while they are doing other things, and it is just nice to see how other writers are writing.
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