It was a very bold step for Sports Illustrated, and a lot of people are taking notice. I want it to be so normal that people don't even notice anymore.
In most Westerns, you know, people are shooting off guns all the time until you don't even notice it anymore.
I really enjoy forgetting. When I first come to a place, I notice all the little details. I notice the way the sky looks. The color of white paper. The way people walk. Doorknobs. Everything. Then I get used to the place and I don't notice those things anymore. So only by forgetting can I see the place again as it really is.
I want people to talk about my comedy, about cancer, about body issues, about scars, because cancer, it's a big deal, but scars are not a big deal. My skin healed. Relax, you know? That's all it is.
The hole in my heart, I can’t even begin to describe. It’s hard when you open your heart and let someone in and then suddenly they’re not in it anymore. It doesn’t matter whose fault it is; that empty spot stings so bad that you want to find any kind of relief, or wrap yourself up so tight you can’t feel it anymore. I knew it might be there a little while. Or maybe even a long while. For both of us.
If just a few people make decisions about what this world looks like, what this country looks like, then you have people sitting in offices at major media outlets and Hollywood who think they can deal with a small group of people, to get them to jump through the hoops they want you to.
I'm not in the media that much, so people don't know my personality very well - they just know my work. I feel bad for people who have to read about my personal life and my relationships and see photos of me going through security at an airport. It's like watching a commercial for a hamburger that looks delicious, like a Big Mac, and then going to where they make it and taking photos of what it looks like behind the counter, and it's horrifying.
I was one of the ones in my generation who actually did connect with 'The Wiz,' even though it was not on Broadway or the movie wasn't big anymore by the time I was of age to notice. But I was into it in middle school.
I've been turning it over in after-dinner speeches, but it looks awkward-it's not what people are used to-it wants a good deal of Latin to make it go down.
But I wondered, how would I feel about killing someone? Now I know. It’s no big deal.
Sweating the small stuff is important in boxing and life. On a movie, we have production assistants who're 18 and 19 years old. If someone asks you for a cup of coffee, and you bring them a cup of coffee that's cold, I make a big deal of that. I make a really, really big deal of that. You have to pay attention to details.
I always have strong urges to sabotage myself. Whenever someone says they like something about my music, I tend to not want to do that anymore. It's not even that I don't like it anymore: it's that I keep trying to find ways for people to dislike me.
You can only stare at a clown mask so long. After a few minutes it's no big deal anymore. So people start paying attention to the music instead of what the clown is doing, or what he is wearing, or how cool his spikey hair is.
I have my insecurities, and some days you don't want to be photographed. You notice all of your flaws even if others don't notice them. Photo shoots also feel very vain because it's all about you and your looks and your face. I feel I work better on camera.
Many strange-looking people obviously dress according to deep convictions that are not shared by on-lookers - they clearly do not know how they actually look, but are satisfied with what their clothes make them feel and believe about their looks. These people may be the true originals, even though they are certainly not the best appreciated. The famous messages of dress, the well-known language of clothes, is very often not doing any communicating at all; a good deal of it is a form of private muttering.
Not after the big bust in '92, there's no big drug lifestyle anymore. I can't talk about it. Pretty ugly.