Part of debunking the mythology of filmmaking is that we tend to want to locate it often in one person. And it's not one person. It's a collective, and it is a collaboration.
As for the concept of collective guilt, I personally think that it is totally unjustified to hold one person responsible for the behavior of another person or a collective of persons.
Sincere and generous collaboration is the best way to fulfil the legitimate aspirations of each person and achieve great collective goals for the common good and the general interest.
Collaboration is when magic is made with more than one person. It's when more than one person finds common ground on the same page. That's collaboration.
There'll be creative business leaders but actually, when it comes down to it, they can't do anything unless they're part of a collective. Unless they've got that wealth creator, that engineer and that work person, that skilled person at the bench to fulfil that idea... they're nothing.
If you want to change attitudes, start with a change in behavior. In other words, begin to act the part, as well as you can, of the person you would rather be, the person you most want to become. Gradually, the old, fearful person will fade away.
I don't think I'm a witty person. To me, a witty person is a funny person who is also a smart person. My friend David Rakoff, who died a few years ago, he was a witty person. Fran Lebowitz is a witty person. I don't think there are that many witty people around, so you tend to notice them when they do come around. I don't consider myself to be that.
One of the things that is always difficult about a collaboration is that you don't necessarily find the same thing funny. And so the challenge becomes, how do you tell the other person that you don't think something's funny? The best collaborations tend to be when you are willing to be told that. But there's also ego involved, and so there's a lot of frustration in knowing that you're writing something, and the other person, on some level, needs to think that it's funny.
I often find myself feeling that filming music is somehow the purest form of filmmaking. This crazed collision of sound and images, the intense collaboration, these incredibly cinematic performances. And for the nights you're filming, a non-player like me gets to feel somehow part of the band.
When you know someone for four-five years, you tend to know everything about the person. You tend to know when the other person is reacting to a certain situation, how the other person would react in a situation.
Sometimes, you have to step outside of the person you've been and remember the person you were meant to be. The person you want to be. The person you are.
We see that the soul is the deepest and the most vital part of the person as a whole. It is often treated as the person, and we actually do this when we talk about "saving our soul."
Often, what I tell a new CEO asking for advice, or one of my own new leaders, is the two most important decisions that your team is going to watch is the first person you hire and the first person you promote - because you are saying that's the type of person I want.
A lot of times when we work overseas we tend to put the experience of someone who lives overseas, a Chinese person or a Korean person or a Bosnian person, within the prism of an American life.
I rarely use mythology for its own sake because, as a theatre person, the mythological figures are in fact humanity to the ninth degree and Yoruba mythology in particular has fascination of being one of the most humanised mythologies in the world.
In my time since moving to the United States, I've found that there is a dearth of great writing for black people. There are stories that depict us in a way that isn't cliched or niche, and that a white person, a Chinese person, an Indian person can watch and relate to. Those are the stories I want to be a part of telling.
We owe Christ to the world--to the least person and to the greatest person, to the richest person and to the poorest person, to the best person and to the worst person. We are in debt to the nations.