A Quote by Alex Garland

'The Beach' novel, in my mind, was, in some respects, subversive. — © Alex Garland
'The Beach' novel, in my mind, was, in some respects, subversive.
You come out of the gate, you've got something new, you're subversive, nobody's ever done it before. But by your fifth novel and your fourth literary prize and your house in the country, can you really claim to be subversive?
There is still such a thing as subversive. Subversive makes hip people nervous. It's something new that scares you in a good way. I mean, subversive to me is a compliment. Subversive is something that influences people to do something against society that they haven't thought of before.
In some respects, South African apartheid was more vicious than Israeli practices, and in some respects the opposite is true.
My first novel, 'You Lost Me There,' has been described as a beach read. Tough bracket, beach reads. There's not much room for mistakes when you're competing against the sun for a person's attention.
Facts are subversive. Subversive of the claims made by democratically elected leaders as well as dictators, by biographers and autobiographers, spies and heroes, torturers and post-modernists. Subversive of lies, half-truths, myths; of all those "easy speeches that comfort cruel men.
If I do go to the beach there have to be certain rules: it can't be a pebbly beach, there has to be some shade and there has to be a beach bar. I don't want to go off the beaten track.
This Is Not a Novel memorializes the treasures and detritus of one man's singularly cultured mind. (...) If you don't know Writer's work at all, try This Is Not a Novel. There may be some doubt about exactly what kind of book it is, but not that it's altogether wonderful.
At 14 you are still in most respects a dependent youth, in some respects a child. At 24 you are an adult. In between, extraordinary turbulences take place.
Every moment I spend in Philly, it's amazing. The city respects us, respects sports, respects hard work.
Many people, I've noticed by informally polling friends, are prone to distinguishing a beach read by genre. Some people thought all thrillers are beach reads; others thought all romances are. Some people thought only mass market paperbacks are eligible for beach read standards.
A novel is what you dream in your night sleep. A novel is not waking thoughts although it is written and thought with waking thoughts. But really a novel goes as dreams go in sleeping at night and some dreams are like anything and some dreams are like something and some dreams change and some dreams are quiet and some dreams are not. And some dreams are just what any one would do only a little different always just a little different and that is what a novel is.
I wrote a whole novel before The Beach. Unpublishable. Junk. But, for some reason I stuck at novels and wrote a second. Still not sure why I didn't give up. Stubborn, maybe.
When my novel 'Beach Music' came out in 1995, I had included a couple of recipes in the book and had tried to impart some of my love of Roman cuisine and the restaurants of Rome.
Some beach, somewhere. There's a big umbrella casting shade over an empty chair. Palm trees are growin' and a warm breeze a blowing. I picture myself right there, on some beach, somewhere.
In many respects, I think 'Bless Me, Ultima' is a novel about the indigenous.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
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