A Quote by Alex Garland
Really original material is quite hard to find.
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It's very hard for a studio to take a chance on a piece of original material. They used to have the fall-back of DVD sales. They had ways in which they could safely make an investment in a piece of original material, and those opportunities aren't necessarily there anymore.
'2001: A Space Odyssey' is a movie that really impressed me as a teenager. And also 'Blade Runner.' And 'Close Encounters of the Third Kind' is also one of my favorites. I'm always looking for sci-fi material, and it's difficult to find original and strong material that's not just about weaponry.
I always go back to the original material. I want a good connection as the composer and writer of the score to the director and to the source material. It's really important.
I find it really, really, really hard to have relationships with other men. That's one of my biggest problems. Women I seem to get on with quite well.
I have a lot of artifacts - books on witchcrafts and talismans. I have a big, big collection of original occult books from the 1800s and 1700s, and some of the oldest books on apparitions and vampires. All original printings. It's not that I'm a crazy believer, I just find it to be amazing research material.
I don't really agree that most academics frown when they hear Wikipedia. Most academics I find quite passionate about the concept of Wikipedia and like it quite a bit. The number of academics who really really don't like Wikipedia is really quite small and we find that they get reported on in the media far out of proportion to the amount they actually exist.
I'm not 100% nice all the time, so I find it quite hard to be really pleasant.
And if you look at all this academic work in the conferences and so on there's a constant theme that terrorism is extremely hard to define and we therefore have to have a deep thinking about it. And the reason it's hard to define is quite simple. It's hard to find a definition that includes what they do to us but excludes what we do to them. That's quite difficult. So it takes a global war on terrorism.
I have always wanted to play different kinds of stuff, but it's hard, first to find good material, and then to change people's perception of you so they'll let you do it. I mean, I would really like to play a poet, but once they get this notion of you as a street guy, it's hard to change that.
You never want to have a movie be derivative, because that's the worst if you ask me. I always want to be in original material, or an original idea, or an original vision, rather than a rehash of some other movie.
The goal of the work is always for it to come across as original material, as transformative material.
Earth is the material with the most potential because it is the original source material.
It's hard to find really original, compelling works of fiction, for women especially. I find that these true life stories about these women that I'm so blessed to play are some of the most compelling stories, and the truth is stranger than fiction.
Lyrics are really, really hard, I think, or at least they're really hard for me. Some people can channel lyrics faster. I find them very hard to find, so because of it, they take me a long time, and I really think about them.
The tales are quite hard to remember and I found that going back to it between bouts of writing fiction, I was having to retrace my steps quite a lot, because the stories are very intricate and the material is elusive, and possibly with age, my memory is not as malleable as it used to be.
It's really hard to find stuff that is original. You pick up scripts and in four pages you know where it's going and the same thing when you are sitting in a theatre, I just rejoice when something unfolds in a way that I'm not conducive.
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