A Quote by Alex Garland

The first I heard of the beach was in Bangkok, on the Ko Sanh Road. — © Alex Garland
The first I heard of the beach was in Bangkok, on the Ko Sanh Road.

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I dubbed for the first time in 'Ko Ko' and I found it good as I finished it in three days.
Ko Un's poems evoke the open creativity and fluidity of nature, and funny turns and twists of Mind. Mind is sometimes registered in Buddhist terms - Buddhist practice being part of Ko Un's background. Ko Un writes spare, short-line lyrics direct to the point, but often intricate in both wit and meaning. Ko Un has now traveled worldwide and is not only a major spokesman for all Korean culture, but a voice for Planet Earth Watershed as well.
When people come to KO me, that's when I catch them off-guard and get the KO myself.
We never announced a scorched-earth policy; we never announced any policy at all, apart from finding and destroying the enemy, and we proceeded in the most obvious way. We used what was at hand, dropping the greatest volume of explosives in the history of warfare over all the terrain within the thirty-mile sector which fanned out from Khe Sanh. Employing saturation-bombing techniques, we delivered more than 110,000 tons of bombs to those hills during the eleven-week containment of Khe Sanh.
Even at the end of the road, read the first sentence, there is a road. Even at the end of the road, a new road stretches out, endless and open, a road that may lead anywhere. To him who will find it, there is always a road.
Not a lot of girls can KO fighters. I KO all the girls.
Ko Un is a crucial poet for the twenty-first century, and this is an enormously fresh and vivid translation.
What's your road, man? - holyboy road, madman road, rainbow road, guppy road, any road. It's an anywhere road for anybody anyhow. Where body how?
I remember the first time I heard 'The Thunder Rolls.' It was dark, and we were driving to the beach. There was the thunder outside and the thunder in the song. It was eerie.
If somebody says, 'Do you remember the first time you heard a Rolling Stones song?' if you say you do, you're crazy. You've just always heard them. You might remember the first time it impacted you, but the first time you heard one, you were in a cradle.
A few days before the [Mr. America] contest we heard rumors about a man who had throngs of people following him along the Lake Michigan Beach front, and we couldn't imagine who could draw crowds by merely walking along the beach!
I've often fantasized about visiting the Bahamian beach where Columbus first stumbled ashore in 1492. Sadly, no one knows where that beach is. In fact, no one's even sure which island Columbus first encountered (there are three candidates). It's a pity, a disappointment, and a lost revenue source for the Bahamians.
Writing the first draft is like hitting the beach on D Day. You don't stop to mourn the dead or comfort the wounded. You get off the beach because, if you don't, you'll die there.
'I Get Around' came on one day. I'd never heard the Beach Boys before. The sound was so fresh to me. That was the first time when I truly was gripped by the power of music. It opened my eyes to the heights that music can achieve.
My first novel, 'You Lost Me There,' has been described as a beach read. Tough bracket, beach reads. There's not much room for mistakes when you're competing against the sun for a person's attention.
When I wrote the first Betsy book, 'Undead and Unwed,' I had no idea, none, that it would be a career-defining, genre-defining book, the first of over a dozen in the series, the first of over 70 published books, the first on my road to the best-seller list, the first on my road to being published in 15 countries.
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