A Quote by Alex Garland
I can kid people, including myself, into believing that something on the page will work. But when you film it, you just think, "Oh ...".
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What I react against in other people's work, as a filmgoer, is when I see something in a movie that I feel is supposed to make me feel emotional, but I don't believe the filmmaker shares that emotion. They just think the audience will. And I think you can feel that separation. So any time I find myself writing something that I don't really respond to, but I'm telling myself, 'Oh yes, but the audience is going to like this,' then I know I'm on the wrong track and I just throw it out.
Equipped with two cell phones - one for work and another for home - I like to think of myself as a kind of 21st-century digital pioneer, ready to network, fax, page, e-mail and - oh, yes - talk at will.
I think that my attitude about myself is something that I've been trying to work on - trying to be more positive and just believing in myself more.
From 'Thani Oruvan', I've decided that I will work only in films where people accept me as a team member. I can't think of ideas that I feel will improve the film and just keep them to myself.
I'm one of those people who can't watch themselves do anything. I could never watch myself wrestle. I've probably watched a handful of my matches. I never could watch myself. Even when I played college basketball, I hated film days... 'Oh God, I'm gonna watch myself screw up.' I'm just one of those people who can't watch their work.
You think you've made something really great, but there's a reason why it's not resonating the way some previous work did. But it's not that easy to just replicate. Some people think, "Oh, just go do that thing you used to do before." But it just doesn't work like that. It's a lot more mysterious or slippery.
I think that when I make a film, I'm terrified that people will come to work and work on something that they're not proud of.
Balancing my film career and my music will be something I'm just going to have to deal with, as it happens. I think I can balance it out; the choices will probably be pretty clear. If there's a movie I just have to do, I will work the music around it.
My liberal friends love to dismiss Reagan. You know, they'll say something like, 'Oh, didn't he, like, only read one-page memos when he was in the White House?' Well, that's just good managerial practice. I mean, Franklin Roosevelt made people write one-page memos.
Writing is such lonely work that I try to keep myself cheered up. If something strikes me as funny in the act of writing, I throw it in just to amuse myself. If I think it's funny I assume a few other people will find it funny, and that seems to me to be a good day's work.
When a film is reviled, you open a film and people say "Oh, it's the stupidest thing, it's the worst movie." You think: oh, nobody's going to ever speak to you again. But, it doesn't happen. Nobody cares. You know, they read it and they say "Oh, they hated your film." You care, at the time. But they don't. Nobody else cares.
Yes, the fear of its blankness. At the same time, I kind of loved it. Mallarmé was trying to make the page a blank page. But if you're going to make the page a blank page, it's not just the absence of something, it has to become something else. It has to be material, it has to be this thing. I wanted to turn a page into a thing.
That's what I think when people do their "best stuff" collection. When you start to think, "Oh, I will just present my 10 years of work," that's not a good sign.
It can get discouraging - 'Oh, it didn't work,' or, 'Oh, I lost the baby,' or, 'I can't do this again.' You can. And when you get the kid, you'll be happy that you did. But it's a very painful process for a lot of people. You just have to figure out how it's gonna get done.
You have to get through periods of being blocked. Everybody has them. For me, they have everything to do with self-doubt. It's never a matter of laziness or inability. It's just a matter of believing that what I'm doing is worthwhile, that it matters.I just make myself work. I just make myself go to work, whether I feel like it or not.
Loving a film is like falling in love with a woman or with a man like you never expect it. It it's not the one you think you will be in love with, you know. You think always that he will be with a beard, and black, and big and finally he's Chinese and you know it's the same thing. There's something very organic about the film and if you forgot it, if you don't have this seed in it...this organic flavor in it the film doesn't work it's wrong.
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