A Quote by Alex Garland
My first attempt at writing was very unstructured and formless, with shifting points of view. I was trying to understand how long form might work, and I realized I had something shapeless. It was a total car wreck. But I still felt I could pull it off. So I ditched that attempt and started writing in the opposite manner, in first person, with a driving narrative.
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I love that "furious and gorgeous barrage." That helps me see the relation between the introduction and the book's final section, where writing about a fire (and about the attempt to understand the event), also becomes an attempt to understand how writing might get closer to the fire, in so many ways.
I was writing stand up comedy for TV for around 5 years and just wanted to attempt it myself. Vir Das started an amateur comedians' night in Bombay in 2009 and I went for the very first one. It was a competition and I won the first prize.
One of my moments of coming to writing, of needing to write to attempt to create myself, to attempt to absolve and understand my past passivity, came when a girl I loved very much, who I had been estranged from for some time, killed herself.
The way that I see third person is it's actually first person. Writing for me is all voice work. Third person narrative is just as character-driven as first person narrative for me in terms of a voice. I don't write very much in third person.
Religion is part of the human make-up. It's also part of our cultural and intellectual history. Religion was our first attempt at literature, the texts, our first attempt at cosmology, making sense of where we are in the universe, our first attempt at health care, believing in faith healing, our first attempt at philosophy.
When I first had a child, I really had a hard time trying to figure out how it was all going to fit together. Because I felt like, when I was with him, I wanted to be writing and I should be writing. And when I was writing, I felt like I should be with him, and wanted to be with him. So I was unhappy a lot.
Writing, for me, when I'm writing in the first-person, is like a form of acting. So as I'm writing, the character or self I'm writing about and my whole self - when I began the book - become entwined. It's soon hard to tell them apart. The voice I'm trying to explore directs my own perceptions and thoughts.
When Ben and I first got married and we first had kids, I felt I needed to prove we could still do it and I could still work separately from Ben and I could still work with him. I just let go of all of that now. I said to him, 'For me, a little bit goes a long way.'
When I first got into technology I didn't really understand what open source was. Once I started writing software, I realized how important this would be.
When Ben Stiller and I first got married and we first had kids, I felt I needed to prove we could still do it and I could still work separately from Ben and I could still work with him. I just let go of all of that now. I said to him, 'For me, a little bit goes a long way.'
The first book was my first attempt at writing full-length prose.
The first piece of 'long' fiction I wrote was a novella parody of Stephen King's 'Christine.' I was in high school, and my version was about a kid with a possessed locker instead of a possessed car. It was also my first attempt at humour, which fell completely flat because no one who read it realized it was a parody!
Francie was ten years old when she first found an outlet in writing. What she wrote was of little consequence. What was important was that the attempt to write stories kept her straight on the dividing line between truth and fiction. If she had not found this outlet in writing, she might have grown up to be a tremendous liar.
I had this bad habit of not writing out a first draft and going back. For me it was the first sentence, then the second sentence, and I might be several weeks on the first page instead of writing a draft and trying to figure it out from there.
I think all writing is an attempt to complicate and subvert the dominant narrative. Writing personalizes statistics. It puts a face and a name on a number. I suppose in that sense it's always political.
Before one can correctly understand the work of the Holy Spirit, he must first of all know the Spirit himself. A frequent source of error and fanaticism about the work of the Holy Spirit is the attempt to study and understand His work without, first of all, coming to know Him as a person.
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