A Quote by Alex Grey

Realism and Naturalism rely mostly on the eye of the flesh. Abstract, conceptual and surrealistic art rely mostly on the eye of the mind. Great works of art rely on the eye of contemplation, the eye of the spirit.
The great and secret message of the experiential mystics the world over is that, with the eye of contemplation, Spirit can be seen. With the eye of contemplation, the great Within radiantly unfolds. And in all cases, the eye with which you see God is the same eye with which God sees you: the eye of contemplation.
A full-spectrum approach to human consciousness and behavior means that men and women have available to them a spectrum of knowing - a spectrum that includes, at the very least, the eye of flesh, the eye of mind, and the eye of spirit.
You are not your body; you are the eye. When you see the spirit, you are free of the body. A human being is an eye – the rest is just flesh and bones. Whatever your eye sees, you are that.
But we'd never really seen eye to eye. Mostly 'cause he was much taller than I was.
Art trains the mind through the eye, and the eye through the mind. As the sun colors flowers, so does art color life.
The artist's mission is to make the soul perceptible. Our scientific, materialist culture trains us to develop the eyes of outer perception. Visionary art encourages the development of our inner sight. To find the visionary realm, we use the intuitive inner eye: The eye of contemplation; the eye of the soul. All the inspiring ideas we have as artists originate here.
The Four Reliances. First, rely on the spirit and meaning of the teachings, not on the words; Second, rely on the teachings, not on the personality of the teacher; Third, rely on real wisdom, not superficial interpretation; And fourth, rely on the essence of your pure Wisdom Mind, not on judgmental perceptions.
Ahab cast a covetous eye at Naboth's vineyard, David a lustful eye at Bathsheba. The eye is the pulse of the soul; as physicians judge of the heart by the pulse, so we by the eye; a rolling eye, a roving heart. The good eye keeps minute time, and strikes when it should; the lustful, crochet-time, and so puts all out of tune.
I can act with either eye, but you've got to be twice as good as an actor to act with one eye. You need to put all your emotions just through one eye and really punch it out of that eye. I found it quite difficult to do at first, and then I found a technique that allowed me to act with one eye, which I patented.
Art itself is essentially ethical; because every true work of art must have a beauty or grandeur of some kind, and beauty and grandeur cannot be comprehended by the beholder except through the moral sentiment. The eye is only a witness; it is not a judge. The mind judges what the eye reports to it; therefore, whatever elevates the moral sentiment to the contemplation of beauty and grandeur is in itself ethical.
The art that is in the machine-made article, appeals only to the eye; the art in Khadi appeals first to the heart and then to the eye.
If deceiving the eye were the only business of the art... the minute painter would be more apt to succeed. But it is not the eye, it is the mind which the painter of genius desires to address.
Serving people we don't see eye to eye with is the essence of Christianity. Jesus died for a world with which he didn't see eye to eye. If a bakery doesn't want to sell its products to a gay couple, it's their business. Literally. But leave Jesus out of it.
Rely on the teaching, not on the person; Rely on the meaning, not on the words; Rely on the definitive meaning, not on the provisional; Rely on your wisdom mind, not on your ordinary mind.
The camera is not your eye, and it's not the eye of the audience. I don't think it's my eye, either. It belongs to the film.
I'm legally blind in one eye, and one eye is a totally different size than the other, and I have, like, a weird crossed-eye thing.
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