A Quote by Alex Haley
To the best of my knowledge and of my effort, every lineage statement within 'Roots' is from either my African or American families' carefully preserved oral history, much of which I have been able conventionally to corroborate with documents.
Related Quotes
Librarians are not just gatekeepers to knowledge, they are what the American Indians used to call their special sages who preserved the oral legends of a tribe: dream keepers.
Moreover, it is so important that people have the opportunity to share their stories and have them documented. There have been large-scale oral history projects after many events, from September 11th to Hurricane Katrina. Many oral history projects are much more confined, but equally valuable. We can learn about different working conditions, living conditions, trauma experiences and much more through oral history.
Poetry carries its history within it, and it is oral in origin. Its transmission was oral. Its transmission today is still in part oral, because we become acquainted with poetry through nursery rhymes, which we hear before we can read.
There are African-American families around this country - a large, large number of African-American families - that operate out of complete fear that their kids are going to be taken from them and will do anything to prevent that.
Poetry carries its history within it, and it is oral in origin. Its transmission was oral.
As an African-American, as a woman I think that I've been sensitized to the way in which history privileges the white male and the way in which certain aspects of history, the things that we are taught in school, the things that are handed down never, never entered the picture though they might have been very important.
As an African-American, as a woman, I think that I've been sensitized to the way in which history privileges the white male and the way in which certain aspects of history, the things that we are taught in school, the things that are handed down, never, never entered the picture though they might have been very important.
The areas in which I teach are working-class history and African-American Studies and at its best the critical study of whiteness often grows out of those areas. The critical examination of whiteness, academic and not, simply involves the effort to break through the illusion that whiteness is natural, biological, normal, and not crying out for explanation.
I think there's a lot of things that occur within the African-American community, that we would prefer to stay within the African-American community - that we get a little nervous when you start having scenes or dialogue that we know is going to be viewed and heard on a national or global scale.
A good author, and one who writes carefully, often discovers that the expression of which he has been in search without being able to discover it, and which he has at last found, is that which was the most simple, the most natural, and which seems as if it ought to have presented itself at once, without effort, to the mind.
When I was a kid, I'd go to the African-American section in the bookstore, and I'd try and find African-American people I hadn't read before. So in that sense the category was useful to me. But it's not useful to me as I write. I don't sit down to write an African-American zombie story or an African-American story about elevators. I'm writing a story about elevators which happens to talk about race in different ways. Or I'm writing a zombie novel which doesn't have that much to do with being black in America. That novel is really about survival.
I'm one of those persons who think that watching black people suffer is not an idea of entertainment. I know a lot about African American history, which is just American history, it's always been very fascinating to me. The premise of the play is remembering and honoring those persons whose stories would never be taken into account.
African American history is really American history because African Americans really helped build this country.
Christianity was neither original nor unique, but that the roots of much of the Judeo/ Christian tradition lay in the prevailing Kamite (ancient Egyptian) culture of the region. We are faced with the inescapable realization that if Jesus had been able to read the documents of old Egypt, he would have been amazed to find his own biography already substantially written some four or five thousand years previously.
My book, Oral History: Understanding Qualitative Research is about how researchers use this method and how to write up their oral history projects so that audiences can read them. It's important that researchers have many different tools available to study people's lives and the cultures we live in. I think oral history is a most needed and uniquely important strategy.
The notion of women being written out of history is as old as the Bible, but it always seems more galling when it is the history of progressive movements - such as the abolitionist campaign in Britain or the fight for African-American civil rights - in which the role of women has been diminished.
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