A Quote by Alex Haley
I get interviewed a lot, and I found myself listening to what the interviewer is asking me, I'm analyzing what I'm being asked more than my response.
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Being interviewed is an odd experience for me because I was an actor a long time before anyone ever asked me a question about myself. When I started being interviewed, I definitely felt I was being asked to defend or explain myself.
I was a VJ to begin with, so I had a good year of interviewing artists, but then I would spend half my time being interviewed about half my projects, and the other time, other people. It was good because it made me a better interviewer because I knew what people didn't like being asked, and what they enjoy being asked, so I am super used to it.
You know, it's weird being interviewed! Because the weird thing about being interviewed is you get asked these questions that you've never thought about, and you find out what you think as you answer.
As I helped him up, I felt him shake all over, so I asked him to forgive me, without knowing what for, but that was my lot, asking forgiveness, I even asked forgiveness of myself for being what I was, what it was my nature to be.
I get asked to do panel shows, and reality stuff, like getting in a cage with a shark. I got asked to do a 'Strictly' special, but it's not my bag. If I'm being interviewed, that's OK, but anything else fills me with dread.
...by and by a change came: I started to muse about the shape of my nose. I put my trivial surroundings aside and mused more and more about myself, and I found this to be a bewitching occupation. I stopped asking and longed instead to speak of my thoughts and feelings. Alas, there was no one besides myself who found me interesting.
Even when I interviewed bands, it was about asking them about writing songs, so it was more for me than anybody else.
I've interviewed people where their response was literally one word for everything I asked. This didn't help me get to know them, nor did it sell me on their skill set to help my company achieve its goals. I got nothing from them, which meant I had no way of knowing if they were really a good fit in the company.
Anyone who agrees to be interviewed must decide where to draw the line between what is public and what is private. But the line can shift, depending on who is asking the questions. What puts someone on guard isn't necessarily the fear of being 'found out.' It sometimes is just the fear of being misunderstood.
When our embassy is attacked in Benghazi by terrorists and there is no response, you get more bad behavior. When Russia invades Ukraine and there is no response, you get more bad behavior. When Syria crosses the red line and there is no response, you get more bad behavior. When Iran launches tests of ballistic missiles and there is no response, you get more bad behavior. When North Korea attacks Sony Pictures and there is no response, you get more bad behavior. In other words, Mrs. Clinton, you cannot lead from behind. We must respond when we are attacked or provoked.
I have to go through that arc with Dolores, and I didn't know what my arc was going to be. We found out episode by episode, and the more it went on, the more I felt a change in myself and allowed myself to be strong and to get angry and to access emotions that I don't normally, and I think a lot of women don't because we're kind of conditioned not to. It's freed me in a way, and it made me find a strength in myself.
I was recently interviewed for radio in relation to the "Thanksgiving" show [2001] at the Saatchi gallery that I was part of. The interviewer said that people in London were very disturbed that I showed a picture of myself battered ("Nan One Month after Being Battered", 1984) and they thought that I set it up. I was accused of deliberately putting on a wig for that particular picture.
It must be quite rare for an interviewer to be interviewed.
I found myself often asking the question, "Who deserves to be made fun of?" Depending on your mood, the answer can be no one or everyone. It took me a while to understand the math of how those field pieces came together. I don't think that ridicule is ever funny, but there are times when that gets the biggest response.
I interviewed a lot of people in India, and I asked my mother to send me a lot of Bengali books on the tradition of dream interpretation. It's a real way for me to remember how people think about things in my culture.
Hits, flops, and everything in between - I got to do a lot of different things as an actor, had a lot of good learning experiences. So I think I've done reasonably okay for myself, and God has given me more than what I've asked for.
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