A Quote by Alex Hirsch

Not a lot of people get to say, 'I'm a cartoon character.' — © Alex Hirsch
Not a lot of people get to say, 'I'm a cartoon character.'
A comic book is the opposite of a cartoon. In a cartoon, you want to simplify the idea, so when they look at it at a glance, they get it. Boom. Simple. Direct to the point. But when you're drawing Groo, now it's a narrative, a story. You want the viewer to get involved in the story. You want him to feel like he's in the town to follow your main character. So I love to add lots and lots of things in it. Things that people will enjoy going back to and say, "Oh yeah, that's how a market must have looked in this fantasy world, with people selling meat here and dishes here."
It took a while for the first 'Blade' to get made, and Marvel decided they liked the Whistler character so much, when Blade guest starred on the 'Spider-Man' cartoon, they put Whistler on the cartoon, and the movie hadn't come out yet.
What does it say about a president's policies when he has to use a cartoon character rather than real people to justify his record?
I love wearing Converse or Vans and wear a lot of bombers or denim jackets. I'm also a bit of loser, so wear a lot of film and band T-shirts. My friends say that I look like a cartoon character because I'm always wearing the same kind of stuff.
A cartoon character isn't a specific person. It isn't Tom Cruise or George Clooney playing the part, it's a character that could be you. It's easier for you to get drawn into it in a special way.
Tick is a cartoon character, I don't know if you're familiar with him. This is the third step in his evolution. Comic book to cartoon to, now, live-action.
People think you get one idea for a cartoon every week, and that's not the way it works. You usually get 10 or 15, and you're - certainly when I was a cartoonist, before I was a cartoon editor, you're rushing to do what is called the batch. When I was doing that, I liked to have, in general, about 10 cartoons.
The cartoon me writes the books cartoon people read in the cartoon world, because they need things to read there too.
It's fun playing a more feminine part. I can identify more with a woman of passion and emotion than with a cartoon character. Who knows what a cartoon feels?
I've had a couple of people come up to me after screenings and say they kind of sympathized with the character. I always get a kick out of it when people say that. It means I did something maybe a little bit to the credit of the character.
I get a lot of people coming up to me and saying, 'I really hate you.' And they say it in the nicest possible way, and I accept it. It's the people who come up to you and say, 'I really liked your character. Man, he was right!' Those are the ones you worry about.
I get a lot of people coming up to me and saying, "I really hate you." And they say it in the nicest possible way and I accept it. It's the people who come up to you and say, "I really liked your character. Man, he was right!" Those are the ones you worry about.
What does it say about a president's policies when he has to use a cartoon character rather than real people to justify his record? What does it say about the fiction of old liberalism to insist that good jobs and good schools and good wages will result from policies that have failed us, time and again?
Perhaps the image you have of the devil is a cartoon of a man in a red suit with horns a pointy tale and a pitch fork, Satan would love for you to think of him as a harmless cartoon character, but don't be fooled... Satan is anything but harmless.
People in Britain see Richard Quest as a kind of an offensive cartoon character.
One way to escape the universe in which everything is a kind of media cartoon is to write about the part of your life that doesn't feel like a cartoon, and how the cartoon comes into it.
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