A Quote by Alex Hirsch
As long as I can recall I've always wanted to make cartoons.
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When you look back at the older cartoons, they're very much more observational cartoons. And the cartoon, the people in the cartoons are not making the joke.
I read the 'New Yorker' when I was a kid. I used to love the cartoons and pick the cartoons out of the library, so I felt I knew the world of their cartoons.
I had always wanted to do a collection of cartoons, but you have to wait until someone is actually interested.
I think my printing to this day looks like the printing right out of a comic book. Actually, I always wanted to be in a comic book. I watched cartoons when I was a kid, too, and both comics and cartoons lit fire in my imagination. This realm holds a lot of interest for me, a lot of passion for me. So to be comic-ized, yeah, that's cool.
I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth. My goal is always what Chuck Jones wanted his Warner Brothers cartoons to be, which was if you turn down the sound, you could still tell what's going on.
'Diary of a Wimpy Kid' is my first book, and it's the fulfillment of a life-long dream. I had always wanted to be a cartoonist, but I found that it was very tough to break into the world of newspaper syndication. So I started playing with a style that mixed cartoons and 'traditional' writing, and that's how 'Diary of a Wimpy Kid' was born.
You watch Jeff Sessions testifying in front of Congress, Jesus, like watching an amnesiac: "I don't recall," "I don't remember," "I don't recall," "I don't remember," "I don't remember what I don't recall," "I recall what I don't remember." Amazing.
I hate those live action versions of animated cartoons. It ruins everything, the whole point of cartoons is to get away from photographs. I mean it would be stupid to say that cartoons are better than photographs but its true.
Cartoons were very conservative. The country was very conservative. Although the liberals were allegedly in charge for a long time, there was a very acceptable balance what people would talk about in public. And I wanted to stretch those and move further out. And as the civil rights movement began, I started doing cartoons on that and on sit-ins and I was, along with Bill Mauldin, a great cartoonist out of World War II, arguably one of two white cartoonists doing this kind of work, Bill and me.
I played the violin my whole life. I wanted to play from the time I was just a little kid, and I've always loved dance as well. I wanted to make people smile. I wanted to add an extra energy to my playing and make it visual and make it unique and fun.
I think cartoons are important. Tell me that you don't like cartoons, and I think there's something wrong with you. I don't understand why people don't like cartoons.
If you ask anyone in animation, how long they've been into animation, they'll pretty much always tell you that it's since they can remember, and I'm no exception. I've always just loved drawing and loved cartoons.
There is something very pleasurable about watching cartoons, a really warm, comfortable feeling. My taste is quite broad, but most of all I like American cartoons. Early Disney, Betty Boop, Roadrunner, Ren & Stimpy, South Park. Sometimes I'll watch Pokemon or bad 80s cartoons.
Religion and political cartoons, as you may have heard, make a difficult couple, ever since that day of 2005, when a bunch of cartoonists in Denmark drew cartoons that had repercussions all over the world - demonstrations, fatwa, they provoked violence. People died in the violence.
When I finally got my break in TV, as a staff writer, I always wanted to be at the top of that pyramid. I always wanted to make the decisions. I always wanted to be the one that was saying, "This is what the show is, and this is what the show is not. This is where we're going. It's going to be this kind of series." It was just something I always had my eye on, when I started in the business.
I grew up in the 1970s. It was a super open-minded time. I was taught through my parents and TV that everything was possible. You'd see cartoons where superheroes would fly. I always wanted to do these things.
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