A Quote by Alex Hirsch
I went to art school for four years to learn a very expensive lesson - that there are many other artists who are way better than me.
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There was no way I was going back to school to study anything for another three or four years. I was done with that. So I tried working on other people's projects, but didn't find any where I felt I could learn what I needed to learn.
I think the four land artists I showed all worked within a few years of each other. And they were standard bearers, I suppose, for land art. They each did very separate things. Apparently, later in California, a lot of artists started working in that medium and there was something of a rush of earthworks. But I wasn't involved with that.
Many artists who don't go off to art school come to New York. It's about what you learn when you're here.
I remember my first lesson on the pilgrimage was the lesson of receiving. I had been on the giving side for many years and I needed to learn to accept as gracefully as I had been able to give, in order to give the other fellow the joy and blessing of giving. It's so beautiful when you live to give. To me it's the only way to live because as you give you receive spiritual blessings.
With almost no exceptions, art by men is much more expensive than art by women. Even great women artists, like Louise Bourgeois and Lee Krasner, are only fully embraced very late in their career.
I'm always composing and trying to learn more about the business. In today's market, it's more important than ever to be self-sufficient as an artist. I am in law school and that has helped me in so many ways. It's cool to know what I'm signing and I hope to be able to advise other artists.
I'm very tolerant of other art and other artists. But what I truly appreciate, what I truly admire in contemporary art, is work that takes on more than it can sometimes handle - art that gets in over its head.
I graduated in June 1948 and then went in the fall to the art school. I stayed with my cousins on Seventeenth Street in the beginning, and later had my own apartment very near there and was able to walk to the Art Institute on Elmwood Avenue. The school had a faculty of local artists - Jeanette and Robert Blair, James Vullo who were well known in the area. It was a school that I think thrived on returning GIs, as many schools did at that time. It was a very informal program - but it was professional.
There are so many artists these days that are trying to imitate other artists and go for a certain style; there's a lot of bullshit in the music industry. I don't want to deviate from anything else other than the music, cause that's why I listen to my favorite records - not because I like the way the artists dress.
I bought two sculptures of two baboons called Lord and Lady Muck on an antique piece of furniture from an art exhibition, and it was quite expensive. It was very expensive, actually - way too expensive.
Things are expensive, very expensive in Israel for many reasons. One of the reasons is our ports. It's a monopoly. They run very poorly. And we have ships that are stuck in the ocean for three or four days or a week, and all that cost is transferred to the products and the consumer.
A lot of artists make art for five years, some artists make art for ten years, a few make art for fifteen: very few do it until they die.
For many, many years, I thought that I wasn't good enough or that I would never be able to create something that could touch other people the way books have touched me. There's nothing better than having a lifelong dream come true.
It was also incredibly serendipitous that I would later learn I shared a birthday with Whoop [Goldberg ]. I went on to be inspired by many other artists and forms of art, and was soon directed to a place that would help harness my experiences and develop my voice within the craft, LaGuardia High School of Performing Arts in New York City.
Right before I went to Pacifica, I had written and performed a one-woman show and I consider that to be my original art form. Spaulding Grey and Karen Finley and other spoken word artists and performance artists really very much interested me, that art form.
I was going to go to a four-year college and be an anthropologist or to an art school and be an illustrator when a friend convinced me to learn photography at the University of Southern California. Little did I know it was a school that taught you how to make movies! It had never occurred to me that I'd ever have any interest in filmmaking.
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