A Quote by Alex Hirsch
The most relevant misadventure that I had, as a kid, is when I remember being pretty convinced that leprechauns were real and that I was going to catch one.
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My dad was in these pretty big films that were relevant to my age group. I remember him doing 'Richie Rich' when I was eight-years-old, and then 'Jumanji.' I remember going to these sets, and I loved being on film sets. I just found it fascinating watching how stories were made.
I remember as a kid, my mom had to trade canned food to buy my brother and me chocolate because we were living in Serbia at the time, and there were sanctions. If I catch myself complaining about going to a red carpet event, I say, 'Shut up.'
I remember when I was a kid, if you had your name on a piece of vinyl, man, you were, like, in the halls of Valhalla; all of sudden, you were hanging out with Odin and being at the table of the gods. You were the real deal; you weren't some guy struggling in a garage somewhere.
When you're a kid you always played to win a Stanley Cup in the streets or on the outdoor rinks, and when you do it for real, it's a pretty cool moment, it's something that I'm always going to remember.
We were shooting 'Hot Fuzz' in my hometown of Wells, Somerset, and I remember looking at the dailies and going, 'Wait, there's a Starbucks in the shot. I don't remember that being there!' We had to digitally remove it; the same thing happened with a McDonald's in another scene. I had this sensation of, 'What's going on here? Where am I?'
I remember when I was a kid being called names, including the 'n' word. The first time that happened, it really bothered me. But most of the people I dealt with were all white. Most of my close friends were white.
My mom had bought this camera to take classes herself and I remember working with her on it, understanding how the stop-motion [worked], having a high shutter speed and things like that. Long before I picked it up myself, I remember being on a slide at a country club going into the water and wanting my mother to put in on a high shutter speed so she could catch me on the slide without it being blurred. I remember having fun with her: "Let me go on the slide and you'll catch me in motion!" Those are some of the little moments in my artistic making.
I remember as a child listening to comedic musicals and thinking they were a real riot. I had pretty questionable taste in comedy.
Many atheistic books and blogs seethe with anger. Remarkably, the authors do not limit their anger to Christians. They seem most livid with God. I don't believe in leprechauns, but I haven't dedicated my life to battling them. I suppose if I believed that people's faith in leprechauns poisoned civilization, I might get angry with members of leprechaun churches. But there's one thing I'm quite sure I wouldn't do: I would not get angry with leprechauns. Why not? Because I can't get angry with someone I know doesn't exist.
You can go pretty much anywhere in the world, and people know 'Beat It.' When I was growing up, you heard it everywhere. I remember being a kid and going to school dances and stuff, and they always played it.
I remember when I was a kid my first real confrontation with space travel was when the Challenger exploded and I remember how traumatic that was for me, because I remember watching that on the news and all the children in our class were watching.
I definitely had dolls when I was a kid. I don't remember being very thorough with them and making sure they got fed in my make-believe world. A lot of Barbie haircuts were given, though. I had a Tamagotchi as well, but I think that thing died really quick. They were hard to do!
Shoot, man, I loved being a damn heel. Something about that, just going out there and being the most despicable person you could ever be, was a real turn-on for me. And I grew up a real shy kid in south Texas, and it was something for me to lean on and have fun with.
I remember, when I was a kid, my summers were pretty much running around, riding your bike, and then complaining about you were bored.
There was so much going on. I remember a very interesting dinner in the studio of [Robert] Rauschenberg. He had convinced Sidney Janis, Leo Castelli, and a third big gallery man to serve us, the artists, at the table. So they were dressed up as waiters, we were sitting at the table, and they were only allowed to sit down at the end of the table for the cognac. This is not possible now.
I remember me being that kid growing up. Me being the kid that grew up going to games and being a ball boy and wanting a high five from Blake Griffin or the other players.
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