A Quote by Alex Hirsch

Once you train an audience to look for significance, they start to find it everywhere. — © Alex Hirsch
Once you train an audience to look for significance, they start to find it everywhere.
At times you've got to be patient, and that's it. I just take it; another good training week, train hard and train strong, look to perform there and hopefully start at the weekend.
It's all about his determination. You never, ever, give up once you start something, once you're on the trail of something you don't stop and that's what you have to go through when you're making a movie too. Once the train's rolling, you have to stick with it.
You give your film away to the audience once it's done. I never look at my films after the premier. The film needs to start its own history.
Once we start to act, hope is everywhere. So instead of looking for hope, look for action. Then, and only then, hope will come.
It's funny when you start writing an album and then recording - the songs begin to take on a spirit of their own. Once you start to perform it live, this happens even more so than in the studio. They really start to develop a personality that takes shape over time with the audience.
I think once those friendships, if you use that as an analogy, the friendships between the audience and the character is established, then you can start to take liberties. I believe that as this unfolds people will find the time invested worthwhile.
Once you start to look into the guts of climate change you find that just about every scientific institution in the world is conducting research on the issue.
I find everything in life a little bit sad, but I also find a great deal of hope everywhere I look.
I don't like to be my own audience, I find that being my own audience, being in the audience, makes me self-conscious, basically. So I tune in sometimes, with the sound off, to check it out and I back up to it. In the future I will look at it when some time has passed.
It's beginning to look a lot like Christmas, everywhere you go; Take a look in the five-and-ten, glistening once again. With candy canes and silver lanes aglow.
Put in every joke that's not a dud and then let's just start pulling the ones that work the least. You're just constantly sifting until you're left with the biggest chunks of gold. The audience also tells you what some of those chunks are. You can have your own favorites, and then, once you screen it for an audience, the audience tells you what they're entertained by. I feel like that's a big part of it.
I find inspiration everywhere. I love challenges and my favorite thing is to find something ridiculous and be like "if it's all that I have available to me, I am gonna make it look the best that I can".
When you're really young, you tend to fall in love with characters. If you start seeing the same type of character everywhere and realize that they don't look like you, or they don't speak like you, you start wanting to change who you are. That's something that I did when I was a young kid.
I never go into a scene - ever, ever, ever - thinking, I have to make myself more empathetic toward the audience. Once you start doing that, you get into really dangerous territory. I think you start to become kind of untrue to the character.
Once you get yourself on that path where you're willing to find something delightful in laundry and in dishwashers, it means that you train yourself to be able to find it almost anywhere in almost anything.
Computations are everywhere, once you begin to look at things in a certain way.
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