A Quote by Alex Hirschi
What people are going to see on my platform is cars from a different perspective - so that I'm still speaking the same language to the general public. I don't ever want to get too technical.
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Public speaking is done in the public tongue, the national or tribal language; and the language of our tribe is the men's language. Of course women learn it. We're not dumb. If you can tell Margaret Thatcher from Ronald Reagan, or Indira Gandhi from General Somoza, by anything they say, tell me how. This is a man's world, so it talks a man's language.
I still see myself as young, the same guy I was before I ever won the Heisman. Hopefully my friends still feel I'm the same way. I just want people to know I'm still the same person I've always been.
I can't help but be a different person now that I've had kids. That really does change your whole perspective on life for the better. I definitely feel like I've grown up. So, I guess in a way parts of me are going to be different, but in general I'm still the same girl from the Bronx who had big dreams.
When you speak a foreign language, you become someone else. If you aren't used to speaking a language, and you start speaking it again, for the first few sentences you'll find yourself in very strange shape, because you're still the person who was speaking the first language. But if you keep speaking that language, you will become the person who corresponds to it.
Literally, no man ever sees himself as others see him. No photograph or reflection ever gives us the same slant on ourselves that others see. It has often been proved on the witness stand that no two people ever see the same accident precisely the same way. We see through different eyes and from different angles. But if we could see things as other people see them, we could come closer to knowing why they do what they do and why they say what they say.
A lot of people think that public speaking means that you are standing at a podium giving a speech, but public speaking comes in lots of different formats.
We are Americans, speaking the same language, adopting the same customs, holding the same general opinions... and shall rise and fall with Americans.
Philosophers feel a little more cautious about letting down their technical guard lest the general public doesn't recognize their special credentials. It's the fact that philosophy is of general interest that, paradoxically, keeps philosophers from wanting to speak in a way that's accessible to the general public.
When you're in the muck you can only see muck. If you somehow manage to float above it, you still see the muck but you see it from a different perspective. And you see other things too. That's the consolation of philosophy.
When you're in the muck, you can only see muck. If you somehow manage to float above it, you still see the muck, but you see it from a different perspective. And you see other things, too. That's the consolation of philosophy.
I have this thing built into my contract that the club has to put up a sign that says my act "contains the strongest language and material content imaginable," but, believe it or not, I still get complaints. People want you to be what they want you to be. If they see you on TV and that's what they like, they want you to be EXACTLY like that when they see you live. And if you're not, some of them get upset.
Some of my peers are artists who are at the same level as I am and have been getting paid more than I have, so there's even a pay gap. It's disgusting. But as soon as you get one person speaking out about it then you'll get other people coming out of the cracks saying, "Actually, me too." I'm starting to see and feel a bit of change in the industry now. It's long, long overdue, but it's a beautiful thing to see and it's just going to get better as the days go by.
If your intentions are already bad, and then you still make giant mistakes, it seems like things just get worse. I get little joy seeing this, because what I don't see is the public saying, "Wow, those guys are really bad, maybe we should re-evaluate everything." I don't see that response with the scandals, I don't see it with the indictments, I don't see it after Katrina, I don't see the public going, "Wow, let's really re-examine the entire direction this country is going."
I didn't know the technical language of filmmaking, so I said, 'OK, I'm going to do my own storyboard,' because I had to explain to the crew and the technical people what I wanted.
I believe when we look different and carry something different, people are going to see that and want it too.
If we're in a scene together, I want to give you something that allows your performance to be truthful. In football, if you're opposite me, I want to destroy you, take your head off. I'm still reading body language, still reacting, still trusting my instincts - same as football - but it's different now.
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