A Quote by Alex Honnold

I generally don't climb something if it makes me feel fear. The beauty of soloing is that there's no pressure - no one's telling me to do it. So if something seems scary, I don't have any obligation to do it. I can prepare further or just walk away entirely.
Maybe there is something wrong with me as I don't feel any pressure or fear.
To me, horror is when I see somebody lying. I mean a person I know. A friend. And he's telling me something that I accept. And then suddenly, as he or she is telling it, there's something that gives them away. They're not telling me the truth.
The fascinating thing about standard economic stories is exactly that: they assume that everybody wants that kind of closure. That all human relations are forms of exchange, because if everything is an exchange then it's true that we're both equals. We walk up, I give you something, you give me something, and we walk away. Or I give you something, you don't give me something right now, and you owe me. So if we have any ongoing relationships at all, it's because somebody is in debt.
I think for me, the thing that gets me in the right mindset is just watching something funny, something light, something that makes me feel good. Regardless of what it is - when you feel good, when you feel upbeat, creativity flows!
It makes me sad that our kids are growing up in a country where they are American but, in a sense, have to prove it. They can't just be who they are like everyone else. Who they are is something suspicious, something scary, something misunderstood.
I live near a beautiful park, and when I walk around it, the beauty of it can take your breath away. It makes you realize there is something bigger, certainly bigger than me.
I think I'm known as an adventuress. Even generally in life, I have no fear. It's not that I'm not afraid of things, but when I am afraid of something, I don't back away - I approach it and try to understand what makes me afraid.
I think that usually I'm just drawn to something that's different from something that I've done previously. Whatever makes me feel something. Whatever makes me excited and connected to it.
When I'm in turmoil, when I can't think, when I'm exhausted and afraid and feeling very, very alone, I go for walks. It's just one of those things I do. I walk and I walk and sooner or later something comes to me, something to make me feel less like jumping off a building.
The belief when your mother gives you away is that there's something deeply wrong. Mothers don't give babies away. There's something wrong with me, something unlovable, something seriously flawed in me. It's a fundamental thing; it's precognitive. You feel it rather than think it. How could you not?
The persona of 'The Wonder Years' is something that's going to be with me forever. And I'm happy for that. It's nothing that I'd ever shy away from, and it makes me feel so good that it's something people still remember and talk about it and think of it so fondly.
A lot of people are just really confused by me; they don’t know what to think of me, so they try to compartmentalize me or diminish me. Maybe they just feel unsafe. But any time you have an overtly emotional or irrational, negative reaction to something, you’re fearing something that it’s bringing up in you.
I have been a fan of movies from a very young age, and somehow, the magic of that - every single time I hear something or read something that could be made into a wonderful film or something somebody is asking me to be a part of - that connects. It just makes me feel like I'm going to be part of something magical again.
I think when I feel fear, thats often a cue that I should do something. If I begin to feel fear, thats a strong sign, psychologically, that something has its hooks in me somewhere deep.
After I talk to so many people who are so unhappy about their weight and so depressed that they don't see any rainbows in their life, after I talk to about 30 of those, then I try to walk away and pet my dog, just do something that makes me happy.
What I react against in other people's work, as a filmgoer, is when I see something in a movie that I feel is supposed to make me feel emotional, but I don't believe the filmmaker shares that emotion. They just think the audience will. And I think you can feel that separation. So any time I find myself writing something that I don't really respond to, but I'm telling myself, 'Oh yes, but the audience is going to like this,' then I know I'm on the wrong track and I just throw it out.
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