A Quote by Alex Horne
I never watched 'The Godfather' and it seems too late now. The same happened with 'The Sopranos,' 'The Wire' and 'Peaky Blinders.' I don't know if they can be compared but they feel to me like they had a lot of male violence that I'm not massively into.
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In the States a lot of Hispanic and black audiences are gravitating towards 'Peaky Blinders.' A mate of went into a bar in Santa Monica and sent me a photo of four blokes dressed as Peakies - they meet every week for a 'Peaky Blinders' evening.
I was researching some of the modern-day figures that The Sopranos were moulded on. So many iconic Sopranos moments. James Gandolfini and Edie Falco had an incredible scene together in the kitchen of that house that looked like it was about to explode. That was an iconic series that changed the way we did television. It is also an extremely realistic portrayal of the mafia. Much more so than The Godfather. The Godfather, one of the greatest films ever, but let's face it, a romanticized version of the mob.
We live, understandably enough, with the sense of urgency; our clock, like Baudelaire's, has had the hands removed and bears the legend, "It is later than you think." But with us it is always a little too late for mind, yet never too late for honest stupidity; always a little too late for understanding, never too late for righteous, bewildered wrath; always too late for thought, never too late for naïve moralizing. We seem to like to condemn our finest but not our worst qualities by pitting them against the exigency of time.
There's more to come. Series 4 [of Peaky Blinders] is coming soon. But I'm proud of making my hometown, which is considered to be completely unfashionable, slightly fashionable. People actually know where it is now.
My mum left my dad when I was six months old, so I don't know him at all. I had no male figures in my life, really. I had my godfather, but he's more like a grandfather, so I was quite sheltered. I've never tried to find my father.
I think Netflix is incredible! I travel a lot, so it keeps me company sometimes. I like 'Peaky Blinders.' I'm a big fan of Cillian Murphy, and he is quite the actor. I watch documentaries, mainly, but I've really gotten into watching scary movies. 'It Follows' is wicked.
I feel like in the races I watched before I got to NASCAR, nobody ran like right next to the wall. And I feel like since I've gotten here, a lot more people do now. I don't know if it's the way the cars drive or the tracks age or what, but I feel like I've had a part in changing the style of NASCAR racing a little bit.
I'm obsessed with 'Peaky Blinders.' Those characters are awful, and yet you root for them. You love them! Same with 'Breaking Bad.'
My favorite outfit is like a 'Peaky Blinders' kind of look. I have a really old-man style.
I've spent three hours with Snoop Dogg, talking about how he loved [Peaky Blinders series]. And David Bowie loved it. The late Leonard Cohen was a fan. It struck a chord with various people that I didn't think it would.
My first real experience of acting was 'Peaky Blinders.' That was the most intense experience. In those situations you learn so quickly, and I did. My brother had the script for the second season - they had already done the first - and he said there was a great part for me.
There's a grown-upness about television now that wasn't there before. You do know you're doing stuff for adults who can tell the difference between right and wrong, well hopefully, and make judgements about violence. And with 'Peaky,' always if there is an act of violence, there is a consequence.
When you think 'Peaky Blinders,' when it first began it got mixed reviews and people didn't know what to do with it, and it was like: 'Why is there modern music on this?' So I think whenever you do something different you're going to get that response.
I definitely binge watch. My schedule is so inconsistent and crazy and hectic that if I get a chunk of time, it's like, 'Oh, sweet, I have three hours. I'm going to watch three episodes of 'Peaky Blinders' right now.'
What happened was, I always wanted to be a singer/songwriter kind of guy like a James Taylor or Crosby, Stills and Nash type of thing; I went to a lot of coffee houses and used to watch all those guys, but I never had the nerve to get up and do it because singing seems so personal and intimate to me. It was too revealing.
But now, for the first time, I see you are a man like me. I thought of your hand-grenades, of your bayonet, of your rifle; now I see your wife and your face and our fellowship. Forgive me, comrade. We always see it too late. Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony - forgive me, comrade; how could you be my enemy?
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