A Quote by Alex Lawther
One big power of an actor is knowing when to say no to something. It can be very tempting to say yes to something, because you're flattered that somebody would like to work with you, and your ego sort of takes over, but it's important to ask whether there could be something you could add to a project by being part of it.
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Filmmaking and television series are team sports. Look for the best team for you. Plan, budget your time, money and spirit. You need all three to get serious work done. Never say no because something scares you. Never say yes because you're flattered. Stay open, but stay proud. It never gets easy. Get over that part. Get on with it.
For me, I wish I loved every script that I read. Sometimes I'm more picky and choosy than I really should be because you would get more jobs as an actor! But you don't know what it is. Sometimes you read something and it could be a big part or a small part. It could be one scene and I'll read it and say: "Wow, I really like that and I really want to do that.".
It's only when a project or film doesn't work, that you think about what you could have done differently - whether you chose unwisely, or was there something in your application in that role, as an actor, as a director or as a producer, that you could have done better.
An actor cannot say no, it’s against his job. If he wants the part he has to say yes. [But] it’s very bad for you to say you can do something and then not do it, so you have to manage to do it.
When people ask us how long does it take for something to manifest, we say, It takes as long as it takes you to release the RESISTANCE. Could be 30 years, could be 40 years, could be 50 years, could be a week. Could be tomorrow afternoon.
The other, the other aspect when I say I'm an actor is that as an actor you make this imaginative leap into being somebody else, that's to say the muscle of the imagination is as important as any other of the muscles in your body, and so it is something about this instinct in space and time which for me I associate with being an actor rather than a director.
It can be very lonely knowing that you have things to say but you daren't say them. Knowing that you could contribute to something but you don't dare quite do it.
I have been a fan of movies from a very young age, and somehow, the magic of that - every single time I hear something or read something that could be made into a wonderful film or something somebody is asking me to be a part of - that connects. It just makes me feel like I'm going to be part of something magical again.
I wanted something that I could look back on and say, yes, you were fighting too, you burned to be alive, and whatever failure or accident of nature caused you to be killed could be explained by something other than the fact that I'd missed your giving up.
Over time as an actor, your life with a project can be so short lived because you come on, you do it, and then you're done. You have no control, no say, and all of a sudden there's all of this distance between the work you've put into something and the product as you see it appear on-screen.
With that incredible voice that he [Alan Rickman] could play like a sort of wonderful instrument, like a cello or something. He played his voice, and he could be the most subtle of actors. And he could also be quite a big actor. He could do the grandiose performances as well.
When I got the opportunity to do the new wing [the Schauhaus] for the German Historical Museum, for instance, I didn't see it as an opportunity for my own ego, to do something so exciting that every architectural publication would want to put it on the cover. I accepted it because I knew it was going to be a very difficult project, and I wasn't sure I could do something exciting there.
I really think insecurity is something that comes with being an actor - I don't know actors who aren't insecure. I do think I kind of lie to myself - there is a percentage of ego involved. And I don't say that's a bad thing - it's good to know that it's there whether we like it or not. But ego is like a lion that we have to keep under control.
Wow, I wish I could have done something like that.” That’s the thing, with other filmmakers, if I like them I just feel admiration. And yes, I usually say, “I wish I could have been part of that creative process,” because the films I admire like that are so specific that I know the creative process is also so specific, it’s nothing you could just imitate.
A lot of singers don't really know who they are. They have this massive insecurity and this massive ego and they are sort of pulled between both. I mean, why do you want a lot of people to look at you all the time and listen to you? There is something going on there, there is sort of need to express and attention. It's not just ego, it's some sort of complex thing and sometimes you create characters to say something you want to say and then you just throw yourself into that.
You are the epitome of the word selfless, you did something knowing you wouldn't be able to come home, knowing that your country would have very mixed feelings and yet your integrity on what you believe was right or wrong or should be public knowledge was more important to you than almost your own comfortability and the life that you had lived for so long. So I would like say thank you to him.
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